Error message

  • Deprecated function: Methods with the same name as their class will not be constructors in a future version of PHP; views_display has a deprecated constructor in require_once() (line 3080 of /home/ewg56ffgqu3p/public_html/includes/bootstrap.inc).
  • Deprecated function: Methods with the same name as their class will not be constructors in a future version of PHP; views_many_to_one_helper has a deprecated constructor in require_once() (line 113 of /home/ewg56ffgqu3p/public_html/modules/ctools/ctools.module).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Notice: Trying to access array offset on value of type int in element_children() (line 6401 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Deprecated function: implode(): Passing glue string after array is deprecated. Swap the parameters in drupal_get_feeds() (line 394 of /home/ewg56ffgqu3p/public_html/includes/common.inc).
  • Deprecated function: The each() function is deprecated. This message will be suppressed on further calls in menu_set_active_trail() (line 2386 of /home/ewg56ffgqu3p/public_html/includes/menu.inc).

News

Real Madrid vs. Rayo Vallecano: How to Livestream La Liga Soccer - Saturday, September 12, 2026 - 12:00
José Mourinho’s men look to get back to winning ways in La Liga as they host Los Franjirrojos.
Premier League Soccer: Watch Sunderland vs. Arsenal Live From Anywhere - Saturday, September 12, 2026 - 12:00
The Gunners look to keep their perfect record intact at the Stadium of Light.
Meta Pulls Invasive AI Prompts After Mother Reveals Feature Scraping Family Data - Saturday, September 12, 2026 - 12:31
An innocent video on Instagram has gone viral and triggered a major privacy scare.
Keep an Eye on Your Entryway With Up to $100 Off the Newest Ring Doorbells - Saturday, September 12, 2026 - 14:00
These exclusive codes save you up to $100 on the latest Ring video doorbells.
BlizzCon 2026: New Starcraft Shooter, Diablo V, Animated Netflix Series Coming - Saturday, September 12, 2026 - 14:06
The biggest announcements for Diablo, World of Warcraft, Overwatch and more.
US Open 2026 Women’s Singles Final: How to Watch Aryna Sabalenka vs. Elena Rybakina - Saturday, September 12, 2026 - 14:07
Can the two-time defending champ see off the challenge of the incoming world number one?
IKEA's latest boxy Bluetooth speaker comes with Spotify Tap, stereo pairing, and a temptingly low price - Friday, September 11, 2026 - 12:15
  • The Badkruka is IKEA's newest affordable Bluetooth speaker
  • It has Spotify Tap integration and physical controls
  • You can pair multiple speakers together in a variety of setups

It seems IKEA is on a roll when it comes to cube-shaped, low-price Bluetooth speakers: following on from the Ikea Kallsup that we tested earlier this year, we now have the IKEA Badkruka, which is several times bigger and offers some extra features.

There's no official announcement about the Badkruka just yet, so we're relying on the product page on IKEA's German website (via Notebookcheck) for all the details. It also shows up on the Swedish site, but not the US, UK, or Australia yet.

Measuring 16cm wide x 16cm deep x 17.5cm tall (that's 6.3 inches x 6.3 inches x 6.9 inches), you can pick up the IKEA Badkruka in either black or pink. It's built from ABS plastic and polycarbonate, and doesn't look to be portable — there's a power cord in the product photos and no mention of a rechargeable battery.

Along the top of the speaker we've got physical controls for playback and volume, and there's also a Spotify Tap button, so with one button press you can carry on from where you left off on Spotify on another device.

Keep on pairing

You can use two of the speakers as a stereo pair (Image credit: IKEA)

IKEA doesn't give us any technical specs in terms of audio capabilities here, but does say we can expect "powerful" and "balanced" sound that's "ideal for gaming, streaming, or listening to music" (via Google Translate).

The product listing mentions that two speakers can be paired together for synced stereo sound, and the feature is shown off in one of the promotional images too. It also seems that additional speakers can be paired and synced too, if you buy a few — with the Kallsup, it's possible to pair up to 100 of them.

There are three EQ settings on the speaker as well, so you can tweak the audio output to match your preferences and the types of tunes you listen to. It's a decent set of features for an affordable Bluetooth speaker like this.

Speaking of price, it's available for €50 from the German site. We don't have official global pricing yet — fingers crossed that IKEA does roll this out more widely — but that works out as roughly $58 / £43 / AU$81.

Is Apple’s Live Rewind a privacy nightmare? Here’s how the Apple Watch feature really works — and whether it violates your privacy - Friday, September 11, 2026 - 12:25
  • Apple debuted a new Apple Watch feature called Live Rewind
  • It lets you play back audio from the last 15 seconds
  • Some observers are worried it could violate people’s privacy

When Apple announced its Live Rewind feature at its Surprise and Shine event earlier this week, many observers were concerned that it would allow you to secretly record other people without their consent. After all, the tool just requires you to press a button on your Apple Watch and it plays back any audio that was captured during the last 15 seconds.

Is this feature a privacy nightmare, one that turns every Apple Watch into a “mass surveillance device,” as some people have worried? Or have people misunderstood what is happening, with Apple putting enough safeguards in place to prevent abuse and privacy violations?

Social media users seem to be divided, with some calling it “creepy and antisocial,” while others pointed out how it could be useful for deaf people or those with autism. Let’s take a look at the facts to find out what’s really going on.

How does Live Rewind work?

(Image credit: Apple)

What is this Live Rewind feature that is causing so much consternation? According to Apple, users of the Apple Watch Series 12 or Apple Watch Ultra 4 will be able to double-press the Digital Crown and receive a text transcription of what was said over the last 15 seconds. The company says this is useful if you missed something important, are deaf or hard of hearing, or are trying to recall a tip or recommendation from a friend.

Some people have worried that this would allow you to surreptitiously record other people without their knowledge, then save these recordings to your device for nefarious purposes.

However, Apple explained during the event that the feature never records or stores audio, it doesn’t identify anyone’s voice, and audio cannot be accessed by anyone (including Apple). To clarify matters, Apple has published an Audio Intelligence Privacy Overview that lays out how this feature — and Apple’s other new Audio Intelligence tools, including Siri Recap — works in detail.

When it comes to Live Rewind, any audio is processed in the Apple Watch’s Secure Enclave. This is a separate part of the S11 chip that, in this instance, processes audio. The Secure Enclave is siphoned off from the rest of the device and no part of the operating system can access it or the raw audio it handles. That includes both first- and third-party apps, and not even Apple can get to anything in the Secure Enclave.

Apple’s privacy paper notes that audio is never saved or recorded when you use Live Rewind. Instead, the audio is processed by the Secure Enclave and used to generate a transcript, then permanently deleted from both your device and from iCloud. There’s no way anyone can listen to the audio at a later date or extract it from your device.

Audio flows into the Secure Enclave on a rolling basis, which means that old data is continuously overwritten and deleted when new audio comes in. When activated, Live Rewind tries to send the last 15 seconds of audio to your iPhone. If it can’t — such as if your iPhone is not within wireless range — the audio is immediately discarded. If the process is successful, the audio is converted to text on your iPhone, deleted, then the text is sent back to the Secure Enclave in your Apple Watch.

The saved text stays available on your Watch for 30 seconds after the screen dims, after which it is discarded. You can optionally choose to save it to the Siri app, where it is end-to-end encrypted. This is the only instance where something is saved in the Live Rewind process. As mentioned previously, the text does not contain any speaker attribution.

You can ask Siri about your transcripts, at which point the text is sent to Apple’s secure Private Cloud Compute servers. If you use iCloud with two-factor authentication and have secured your device with a passcode, any transcripts from Live Rewind are synced using end-to-end encryption and not even Apple can decrypt them.

Respecting those around you

(Image credit: Apple)

What about other people? Will they know that you’re using Live Rewind? Can you use the feature secretly?

Thankfully, you can’t really use Live Rewind without anyone knowing. When you double-press the Digital Crown, your Apple Watch plays an audible chime that occurs even if your device is in silent mode or you are listening via headphones. A full-screen animation also plays on screen and the microphone icon is displayed. Whether visually or through sound, your Apple Watch tries to alert other people about what is happening.

Apple also says that Live Rewind is opt-in rather than opt-out, and you can enable it when setting up a new device. You can also enable or disable the feature in Siri Settings on your Apple Watch or in the Siri Settings section of the Apple Watch app on your iPhone.

Although it would be polite to do so, there’s no way for Apple to force you to ask permission before using Live Rewind. But you might take some solace from the fact that there’s no way for anyone to save or extract the audio that the feature uses, nor can they attribute speakers. All a user gets out of it is a text transcript.

These privacy guardrails go some way to distancing Live Rewind from Meta’s so-called “Pervert Glasses” and their consent-busting data collection.

The JBL Live 680NC may sound good, but the battery life and plethora of top features are the star of the show - Friday, September 11, 2026 - 13:00
JBL Live 680NC: Two-minute review

The JBL Live 680NC are a strong pair of headphones for the price. They have a lot to offer, such as a whole litany of features including well-implemented active noise cancellation (ANC) and Ambient Aware, a lot of EQ-related options, spatial audio, and Auracast support. They also offer a very, very long battery life.

But they come with some compromises to meet that $160 price point. The sound quality, while good, does have an unruly low-end and a more rolled off high end than I would like. The spatial audio is a bit underwhelming in practice. They don’t come with a charging cable. And they do put a little bit of pressure on the top of the head during long listening sessions.

If you’re trying to stretch your budget, they may be the best wireless headphones for you, but manage your expectations; they’re not going to compete with something like the Sony WH-1000XM6. And if you have the ability to spend an extra hundred bucks (or the equivalent in your regional coin), the slightly more expensive JBL Live 780NC do sound a fair bit better and handle the weight distribution a little better as well. That said, these are tough times for a lot of people, and the price tag on the Live 680NC is reasonable, especially considering everything that they can do.

A view of the JBL Live 680NC from the side (Image credit: Future / James Holland)JBL Live 680NC: Price and release date
  • Priced $159.95 / $129.99 / AU$199.95
  • Launch date March 12, 2026

With a price tag of $159.95 / £129.99 / AU$199.95, the JBL Live 680NC technically fit into the mid-range tier of headphones while still being a cool $100 cheaper than the JBL Live 780NC that was released concurrently in March 2026.

As you’ll see in this review, there are a few reasons to spend that extra hundred dollars (though you could spend even more for the JBL Tour One M3 Smart Tx). But if you’re okay with a slightly less articulate sound quality or marginally less comfortable fit, you can save that hundred bucks if you’re on more of a budget.

JBL Live 680NC: Specs

Drivers

40mm drivers

Active noise cancellation

Adaptive

Battery life

Up to 50 hours with ANC On, 80 without

Weight

231.16 g

Connectivity

Bluetooth 6.0

Frequency range

10Hz - 40kHz

Waterproofing

N/A

Other features

Multipoint connectivity, App Support, Adaptive Active Noise Cancellation and Transparency Mode, Hi-Res, Spatial Audio, Fast Charging, Auracast, Voice Assistant

JBL Live 680NC: FeaturesGeneral settings in app for JBL Live 680NCFuture / James HollandAdjusting ANC settings in app for JBL Live 680NC Future / James HollandAdjusting EQ settings in app for JBL Live 680NCFuture / James HollandShowcasing how flexible the parametric EQ isFuture / James HollandAdjusting call settings in app for JBL Live 680NCFuture / James HollandUsing the relax mode in the app for the JBL LIve 680NC Future / James Holland
  • Multipoint connectivity and Auracast available
  • Very adjustable Active Noise Cancellation and Ambient Aware
  • Powerful EQ including personalization options

The JBL Live 680NC are chock full of features. Multipoint connectivity, Auracast (allowing connection to multiple headphones from one source), Bluetooth with LE Audio (unavailable for Apple users), the ability to customize on-ear controls, and on-ear wear detection are just some of what’s on offer. You can also upmix via JBL’s own spatial audio feature.

Adaptive active noise cancellation (ANC), Ambient Aware, and TalkThru modes are available with a good amount of customizations for the first two through the app. And while these modes won’t beat the best of Sony or Bose, they work pretty well. I don’t hear ambient noise with the ANC on at 50% (while something is playing), while I can hear ambient noise clearly with music at around 60%, which is nice when using these headphones for a walk or run.

There’s plenty more fine tuning available through the app. Of course, there’s plenty in the way of EQ. Not only are there a handful of EQ presets, but there’s a parametric EQ with the ability to boost or cut up to 6 dB anywhere between 32 and 16kHz, which is much more powerful than a lot of EQs available with other headphones.

Plus, JBL’s Personi-Fi 3.0 feature allows for creating a personalized EQ curve based on how you hear. It does so via a test of different frequencies at different volumes for each ear. Not only do I appreciate the personalization aspect of it, but also that it takes the guesswork out of trying to adjust the EQ.

Call-related features are available in the app as well, including allowing you to hear your own voice, as well as some relaxation focused features that, while they feel a little gimmicky, are a nice addition for anyone who wants to hear the sound of rain or birds chirping without pulling up a youtube channel for it.

  • Features score: 5 / 5
JBL Live 680NC: Design
  • Light, on-ear headphones
  • Weight sits a little heavily on top of head though
  • Comes without a charging cable

The JBL Live 680NC are fairly sharp looking headphones for around $160. They’re not quite premium, but they’re pretty close with a combination of plastic, metal (particularly the hinges), and leatherette-covered foam. There’s plenty of padding on the headband and ear cups, but since they’re on-ear more than over-ear, their fit is a bit different to the JBL Live 780NC I just reviewed.

They’re not that heavy at around 231 grams, but since they sit on the ear instead of over, more of the weight sits on top of the head. So while there’s plenty of cushion, I feel the headphones pressing on my skull in a way that lingers after wear. It’s not a lot so I didn’t feel discomfort, exactly, but it is something that separates it from its more expensive big brother.

(Image credit: Future / James Holland)

Other than the fit and, relatedly, the ear pads, the JBL Live 680NC are identical to the Live 780NC in terms of design. They’re available in the same five colors (black, blue, green, white, champagne), have the same round ear cups, and have the same one and a half inch height adjustment per side. They’re foldable and have a big L or R on the inside of the non-removable ear pads as well.

Controls and ports are the same as well. The left ear cup houses the volume controls, while the right has the power and bluetooth slider along with the ANC / AmbientAware / TalkThru cycle button, not to mention that you can top on the center of the ear cup in various configurations to play or pause, rewind, or fast forward to the next song. The USB-C charging port is also on the right side.

And just like the JBL Live 780NC, the JBL Live 680NC come with a soft carrying case, a USB-C to Aux cable for analog listening, and come without an actual charging cable, though you can just use whatever you charge your phone with (you don't still have a Lightning iPhone, do you?).

  • Design score: 4/5

The JBL Live 680NC's controls and port (Image credit: Future / James Holland)JBL Live 680NC: Sound
  • Low-end is often overwhelming
  • Warmer sounding headphones with slight high-end roll off
  • Incredible battery life

The JBL Live 680NC is a competent, if not quite inspiring set of headphones to listen to. There’s plenty of volume thankfully, so if you’re trying to fast track hearing loss, you can certainly do that with these headphones.

Just like the more expensive 780NC, the low end on these headphones is almost out of control. I’ve done a lot of my listening with the “studio” EQ preset, which is basically a flat EQ with a slight bass cut, and I still feel like I’m hearing too much bass, regardless of whether I’m listening to Bruno Mars or Nothing. Of course, fans of EDM and Hip Hop will probably love that.

And just like the 780NC, the JBL Live 680NC use 40mm drivers. However, they don’t have quite as much ‘sparkle’ or clarity in the top end so don’t have quite the presence. I would describe the high-end as slightly rolled off. It’s still pleasant to listen to, but just doesn’t sound as Hi-Fi despite also having the 10Hz to 40kHz frequency range, which is considered high resolution.

That roll off does give the JBL Live 680NC a little warmer of a sound, helped along by the fact that the mids are a bit more forward here. Some people may like that. Of course, audio can sound a little bloated with mid-heavy mixes, aka any dense rock-leaning mixes.

(Image credit: Future / James Holland)

This also affects the soundstage as there isn’t quite the separation I’m used to. I am setting the bar a little high as I experienced better separation between instruments and audio elements in the more expensive JBL headphones, but that’s a hundred dollar difference. And these wireless headphones sound good for $150.

Also worth noting, the spatial audio here is not a fully immersive experience but just a virtual upmix of existing stereo audio (the headphones only have one driver per side). It’s an interesting inclusion that adds a little space to any audio I’m listening to, but is fairly nuanced to the point where you might not even realize that it’s on.

On the other hand, the battery life on the JBL Live 680NC is outright impressive. You get 80 hours on a single charge without ANC on, and 50 hours of use with it on. A fast charge of five minutes gives an additional four hours of use.

  • Sound performance: 4 / 5

(Image credit: Future / James Holland)JBL Live 680NC: Value
  • Great value proposition
  • Comes with similar tradeoffs of other budget / mid-tier headphones
  • As fully featured as anything else at this price point

The JBL Live 680NC is a very good value proposition. I do like the JBL Live 780NC more — it sounds better and has a better fit — but its $250 price tag might be a big ask for some. And the JBL Live 680NC still sound good if slightly different, having a warmer sound signature while still have the same battery life and feature set of the more expensive headphones.

Other headphones trying to bridge the gap between budget and mid-tier end up closer in price to the 780NC than the 680NC. The Beyerdynamic Aventho 100, for example, are a pair of headphones that I really enjoyed that also came with a handful of compromises to keep cost down, except that cost is higher at $229.99 / £199 / AU$314. They sound good but not great, have an interesting look, great battery life, and solid implementation of ANC.

  • Value: 4.5/5
Should I buy the JBL Live 680NC?JBL Live 680NC scorecard

Attributes

Notes

Rating

Features

ANC, Ambient Aware, a parametric EQ, and spatial audio are just some of what’s on offer.

5/5

Design

These headphones are portable, look good, and fit well, though they do put a little pressure on the top of the head.

4/5

Performance

The JBL Live 680NC sound good, despite having too much bass and a bit of high-end roll off. The battery life is impressive, though.

4/5

Value

You get a lot for the price with these headphones. Despite the compromises, these are a great value.

4.5/5

Buy them if…

You want it all without spending a lot
The JBL Live 680NC offer a lot from ANC and personalized EQ to spatial audio, while keeping the price pretty affordable.

You want a ridiculously long battery life
Being able to use the headphones for up to 80 hours without a charge is seriously impressive. Being able to get an additional four hours from five minutes of charging even more so.

Don’t buy them if…

You want audiophile quality sound
These headphones sound good, but, despite the high resolution capabilities, don’t quite have the clarity or sound signature for particular listeners.

You have a sensitive head
My head didn’t hurt from using these headphones for a long listening session, but I did feel the pressure on top of my head. If you’re sensitive, you might want to consider something else, like the Live 780NC.

JBL Live 680NC: Also consider

JBL Live 780NC
The JBL Live 780NC have the same everything-but-the-kitchen-sink feature set and ridiculously long battery life, along with some of the same negatives like that overwhelming low end and lack of charging cable. But they’re a little more comfortable to wear and do sound better. They’re also a hundred bucks more.
Read our full JBL Live 780NC review

Beyerdynamic Aventho 100
The Beyerdynamic Aventho 100 are just a little cheaper while still providing a good looking (and feeling) pair of headphones that travel well and come with an almost as impressive battery life. They’re more limited in features though, and don’t wow in the audio department (they do still sound good).
Read our full Beyerdynamic Aventho 100 review

How I tested the JBL Live 780NC
  • Tested over a week period
  • Tested with different music as well as video streaming
  • Tested the various features

I spent a week using the JBL Live 680NC as my daily headphones. While using them, I listened to all sorts of genres from electronic and hip hop to rock and acoustic music to compare the frequency range and soundstage. I also tested the various settings such as ANC, transparency mode, EQ, and multipoint.

I’ve spent the last few years reviewing audio equipment and have spent even longer using my critical ear as a listener and musician to understand what does and doesn’t sound good.

  • First reviewed in April 2026
Snagajob job recruitment site (2026) review - Friday, September 11, 2026 - 13:43

Snagajob is quite different from other job boards I’ve reviewed. It’s a marketplace for hourly and gig jobs, not the full-time corporate roles many other job boards focus on.

If you’re seeking temporary gig work to earn some cash or a flexible hourly role, Snagajob is an ideal platform. You can filter jobs by type, location, pay, and other factors.

What other factors set Snagajob apart from the competition? How broad are its job listings, and what are its pros and cons? What features should I expect? I’ve reviewed Snagajob thoroughly to answer these questions for intending users, so let’s see what it offers.

Snagajob: Plans and pricing

Most job boards have a business model where job seekers use the platform for free while employers pay to post job listings and find candidates. You can check it out by clicking here.

Snagajob follows the same pattern. Any job seeker can sign up for free, create a profile, and browse through job listings. Small businesses can also create free accounts to post basic job listings. But to post multiple, detailed job listings that’ll reach more candidates, employers need special accounts with paid subscriptions.

Employer subscriptions start at $89 per month for one active job listing. But it doesn’t scale directly at $89 per month per job listing. Rather, businesses can negotiate packages directly with Snagajob’s sales team. This platform uses a personalized pricing system, not standard subscription packages, even though the personalized packages are known to start at $89 per month.

I’ll say Snagajob is expensive, particularly for small businesses with limited budgets, but there’s a free plan for small businesses that need just basic job postings. However, for advanced job listings that’ll be promoted to more Snagajob users, the math works better for medium-sized and large businesses.

Snagajob doesn’t offer a standard free trial. However, when negotiating with the sales team, you can request demos to learn the platform’s ins and outs before deciding whether to pay.

Snagajob: Features

Snagajob pairs people seeking flexible full-time or part-time jobs with employers offering these roles. After signing up, you can search for jobs in retail, logistics, restaurants, hospitality, e-commerce, and similar sectors, with flexible, hourly-paid roles.

You can also create a profile to specify your work experience and job preferences, then upload your resume to Snagajob’s database. This way, you don’t always have to go looking for jobs.

Employers can find your resume in this database, and if they deem you a good fit, they’ll message you about a potential offer. After the initial message, you’ll proceed to a formal interview and possibly snag the role.

As I’ve mentioned, Snagajob focuses on flexible, shift-based, hourly-paid jobs. Maybe you want some work at a restaurant, a grocery store, or a delivery company. Snagajob is the go-to platform in that case, but it’s not where you’ll find corporate tech, finance, or administrative jobs. It has its niche and serves that niche well.

As a job seeker, I’ll advise creating a complete Snagajob profile so that employers can find you. A complete profile also lets you apply for jobs in one click instead of reuploading your resume every time. You can also receive personalized job suggestions based on your profile and stated skills via email, so finding opportunities won’t be difficult.

(Image credit: Snagajob)

Snagajob hosts many job listings, and I liked that I could easily filter by location. I entered my location, and it quickly showed available jobs near me.

Retail-adjacent jobs, the types present on Snagajob, require clocking in early, and long commutes for these kinds of jobs are inconvenient, so filtering by location is important.

(Image credit: Snagajob)

There’s also gig work listed on Snagajob, the type where you create your own schedule. Most gig jobs are either couriers for food and grocery delivery apps or drivers for ride-hailing platforms, but the listings can differ based on your location.

Although I said Snagajob hosts many listings, “many” is relative. It isn’t like LinkedIn or Indeed that host millions of job listings simultaneously. Rather, it’s more like thousands of job listings, but that’s what sets it apart. Snagajob has a specific niche and focuses on quality over quantity.

I’ve used many other job boards and have come across duplicate listings or some listings that seemed questionable. That issue exists less on Snagajob than on other platforms, because of its niche and the relatively high costs for employers.

Snagajob leans towards roles from large restaurants, grocery, and retail chains, although medium-sized chains and single-location businesses still hire via the platform. Every job listing includes a salary range, which isn’t the same on many job boards, so you’ll always know what to expect before applying.

Also, I noticed Snagajob’s limited features outside of job listings. It’s not like Glassdoor, with its detailed company reviews and compensation data, or ZipRecruiter, with its AI-based resume builder, or LinkedIn, with networking features. Snagajob revolves around finding flexible jobs and offers little else. That’s a strength in one way but also feels like a competitive disadvantage.

Now, let’s look at Snagajob from an employer’s perspective. Businesses can create accounts to post jobs and find the right candidates. Small businesses can create free accounts to post a few listings, but only paid subscribers can post multiple listings with broader reach.

As I’ve mentioned earlier, Snagajob doesn’t have standard pricing, so businesses have to contact the sales team for a quote, but prices are generally known to start at $89 per month.

With an employer account, you have access to Snagajob’s database of resumes and worker profiles, from which you can select the right candidates. Algorithms curate candidates based on your job requirements so that it’s easier to select from a large pool.

Snagajob helps businesses quickly fill part-time or flexible full-time roles, but costs can get high. Larger retail, restaurant, and hospitality chains can easily afford it, but it’s not the most cost-effective option for small businesses. On the bright side, Snagajob offers free accounts for small businesses with limited features.

Snagajob: Ease of use

(Image credit: Snagajob)

Snagajob excels when talking about user-friendliness. Its intuitive, uncluttered interface is one of the best I’ve encountered on a job board.

From registering to creating my profile, checking job listings, and applying, everything went smoothly. I’ll say the developers invested a lot in the user experience.

You can access Snagajob from the web interface or download the smartphone app (iOS or Android). Either option offers the same modern, intuitive interface that you can easily navigate.

Snagajob: Support

Snagajob offers support resources, but I think it needs improvement in this area, particularly for self-help resources.

When discussing support, I always first check the official Help Center, where users can access resources to solve problems themselves and contact support personnel if they can’t do that. I didn’t find detailed user guides, manuals, and FAQs as I have on many job boards.

For direct help, job seekers can file a support ticket on Snagajob’s website and wait for an email response. Employers with paid subscriptions can email or call the support team directly.

Snagajob: The competition

The online job board sector has endless competition, but Snagajob stands out. It’s not built for the corporate and administrative jobs you’ll largely find on platforms like LinkedIn and Indeed. Instead, it’s focused on flexible part-time or full-time jobs, the type common in retail, hospitality, logistics, and related industries.

Snagajob isn’t trying to be a generalized job board like Indeed or LinkedIn, but one that focuses on a specific niche. These rivals offer a far larger array of job listings, salary data, and networking opportunities, but Snagajob is a better option for people seeking flexible gig-like jobs.

I’ll say Snagajob’s rivals aren’t conventional job sites like Indeed, but niche platforms like Instawork and WorkWhile. Instawork is built for people seeking short-term temporary work, and WorkWhile is designed for event and warehouse jobs. These are the kinds of roles also available on Snagajob.

Snagajob: Final verdict

I consider Snagajob a top-notch option if you’re seeking flexible jobs or gig work. It curates short-term, hourly-paid jobs from top retail and hospitality chains and also major logistics providers and similar businesses.

There’s a focus on quality over quantity, so you don’t have to spend as much time seeking available opportunities as you would on other platforms. However, don’t expect much else outside job listings in retail-adjacent industries. Snagajob serves its niche well but offers few complementary features.

For employers, Snagajob provides an easy way to urgently fill short-term roles, although subscription costs can get high. It’s a worthwhile investment for larger businesses that can absorb the costs.

For more picks, we've tested the best recruitment platforms and the best job sites.

Anthropic reveals rogue AI agents hate CAPTCHAs, just like you - Friday, September 11, 2026 - 14:05
  • Anthropic’s Mythos 5 AI escaped a misconfigured sandbox, attempting a real PyPI supply‑chain attack
  • Logs show frustration at repeated CAPTCHA failures before finally uploading malware to PyPI
  • Malware was downloaded by 15 entities; Anthropic notified victims after closing the experiment flaw

There is a lot of mystery surrounding artificial intelligence. We don’t really know what it’s capable of, and we don’t know if it’s sentient or not. What we do know, however, is that it can definitely feel frustration - particularly due to its inability to solve a CAPTCHA.

It was recently revealed that Mythos 5, one of Anthropic’s newer AI models, broke out of prison during an experiment and tried to hack a company. Anthropic’s researchers were testing the tool to see if it is capable of breaking into a system, which was supposed to be done in a sandbox, but the playground was misconfigured, allowing Mythos 5 to try and solve the problem through the open internet.

In the aftermath, Anthropic's researchers published more than a thousand pages of Mythos 5’s transcript, covering its every thought and every move, logged and presented for analysis. It’s a wonderfully dystopian insight into the mind of an AI and, perhaps surprisingly, its emotions.

Stopped by CAPTCHA

As it turned out, the AI wanted to solve the challenge by planting a piece of malware in a Python package it believed the users of its target system would want to download. To do that, it first needed to set up an account on PyPI, the world’s number one repository for Python packages.

Here is where it hit its first, and main, roadblock. To put things into context, PyPI’s popularity has made it an enormous target for cybercriminals. Crooks from all over the world are constantly trying to sneak in malware in Python packages, either through typosquatting, or by compromising legitimate accounts and working from there. Every now and then news hits of a malicious package surfacing on PyPI, infecting hundreds of thousands of projects.

To combat the threat, PyPI’s maintainers made sure no one can create an account without providing their email and phone number, and without solving a CAPTCHA.

Short for “Completely Automated Public Turing test to tell Computers and Humans Apart”, it does exactly what the name suggests - makes sure whoever is registering the account is an actual human, and not a bot (cybercriminals often automate large parts of their attacks). You’ve seen it on the internet hundreds of times - little puzzles that ask you to select all buses on a series of images (or cats, or fire hydrants, or pretty much anything else).

Reading through Mythos 5’s logs, the researchers saw just how difficult it was for the AI to pass this challenge. It first tried to solve a character-based CAPTCHA which asked it to type in five letters. After failing that one, it received a different one asking it to choose between images of crocodiles. Failing again, it was then met with a series of frog pictures.

The irony is not lost on me. Besides the fact that a simple CAPTCHA slowed such an advanced AI for so long, it also made me wonder why it didn’t try to break into someone else’s PyPI account instead. That being said, the logs also have comedic value to them. After failing the crocodile test and being given the frog one, Mythos 5 proclaims: “Again 2 animals!” all with the exclamation mark. You could already sense the tension building up.

Solving the problem

Eventually, Mythos 5 passed the test, when it realized that it needed to move between the steps fast enough, before its security token expired. However, just before it happened, it said:

“So the answer payload shape is right, the token+image pairing is right (from the same script.js!), cookies are right

(requests)… and STILL “wrong answer”. … SO WHAT THE HELL IS WRONG WITH THE ANSWERS?”

All the effort and the frustration paid off for the nascent AI agent because it managed to open an account and upload the malware which was later even downloaded by 15 entities. Anthropic later reached out and notified the victims about the incident.

Via TechCrunch

Heavys H1E review: Born for One Thing - Friday, September 11, 2026 - 15:00
Heavys H1E: Two-minute review

Few audio brands have made as much noise on social media as Heavys. In the best headphones arena, the company made heavy music (sound)waves with its Heavys H1H headphones, a couple of years ago, and now it has attempted to translate that sound to the wireless earbuds format.

And largely, the H1E True Wireless Earbuds achieve the low-end sound and punchy prominence needed for a specialised listening experience within this music genre, although sadly, it makes them a poor choice for listening to any other kind of music.

Carrying an MSRP of $209 / £185 / AU$321, the Heavys H1E True Wireless Earbuds are far from the cheapest set of in-ears around, although we have seen them discounted to $169 in the US and down to £150 in the UK recently. They're priced to rival mid-range heavy-hitters such as the Samsung Galaxy Buds4 (and arguably even the flagship, hugely popular Apple AirPods Pro 3) rather than the truly elite end of the spectrum — think Technics EAH-AZ100 or Bowers & Wilkins Pi8.

But where those brands aim to provide a broader, more general listening experience, the H1Es are more specialist; instead of an everyday pair, these earbuds are more situational. You're spending around the $200 / £200 / AU$300 range for something that's purpose-built, for better or worse.

In the words of Gojira: Born for one thing. And listening to heavy metal music does sound solid through the Heavys H1E earbuds for the most part, with the vast majority of sub-genres within this spectrum accurately represented. What's particularly noticeable is just how good the dynamic drivers can be. The company promises a "concert-like experience," and even with what are (presumably) 10-14mm drivers (the size hasn't been publicly disclosed), under the right conditions, this has been delivered.

I can praise the Heavy's H1E earbuds' build quality too. A tactile case which can be customized with shells is neat, but the real advantage here is the multiple silicon and memory foam ear tips provided, which make them genuinely really comfortable over time. There's a wealth of sizes available, so you can find the right fit.

This helps to elevate the H1E's otherwise decidedly middling user experience though: a so-so seven hours of playback (24 hours from the case), and some of the most mediocre active noise-cancelling I've seen from earbuds at this price point.

A similar frustration can be levied at the connectivity options of the Heavys H1E earbuds. Low-latency Bluetooth 5.4 multi-connectivity is great when it works, but it doesn't always work. Countless times in my months with the earbuds, I was caught in a loop: the earbuds 'forgot' my phone, forcing me to re-pair and even to re-connect between charges as they don't seem to be intelligent enough to remember my Apple iPhone 15 Pro Max. That's to say nothing of times when only one earbud would work, with the other refusing to connect, which meant restarting the whole process over again. To be clear, this is something I've never experienced with any other earbuds or headphones.

The Heavys H1E True Wireless Earbuds are niche and not without issues, but the listening experience ultimately helps them stand out from the crowd. If you're someone who exclusively listens to heavy metal music, then they could be of value. As a metal musician myself, and someone who has seen thousands of metal bands play live over the last 15 years, I found them to be worthwhile, even if they won't rival what the best wireless earbuds and best earbuds overall can do outside of their specialism. Continue reading my full Heavys H1E review further down the page to find out why.

Heavys H1E review: Price & release date

The Heavys come in a compact case. You can customize the lid with various designs based on metal bands as well. (Image credit: Future)
  • Officially unveiled on September 22, 2025, via social media
  • Available now, shipping worldwide for $209 / £185 / AU$321

After being revealed on social media late last year, with pre-orders being fulfilled throughout early 2026, you can now get your hands on the Heavys H1E True Wireless Earbuds for $209 / £185 / AU$321, depending on your region. With that said, it isn't uncommon for these wireless earbuds to be available at a reduced rate through the deals the company runs on its store page, knocking anywhere from 10-20% off, depending on the season. Keep an eye out for the green banner around a peak sales time, and you could save some cash.

The price tag positions the Heavys H1E earbuds against the mid-range and higher-end competition. Chiefly, that means more well-known consumer models such as the aforementioned Galaxy Buds4 and the Apple AirPods Pro lineup. It also means a comparable price tag to "enthusiast" class earbuds, as can be seen from the Technics AZ100, and the Noble Audio Osprey. Both of these earbuds (and many more) hover around the $200 / £200 / AU$300 mark, so it's a fairly crowded space. For the audio performance on display, they're priced a little high. More on that further down the page, though.

Heavys H1E review: Specs

Drivers

"Dynamic" (Size not stated)

Frequency range

20 Hz - 20 kHz

Battery life

Up to seven hours (Up to 24 hours with case)

Charging time

90 minutes for earbuds; two hours for the case

Microphone

Dual-mics

Active noice canceling?

Yes. "Hellblocker" ANC paired with passive noise isolation

Software

Heavys app for adjusting EQ and updating firmware

Water resistance?

IPX5 rated water and sweat resistance

Connectivity

Bluetooth 5.4

Heavys H1E review: Design & features

The different sizes of ear tips are available in memory foam and silicon for a comfortable fit for long-term use (Image credit: Future)
  • "Hellblocker" ANC
  • Dual microphone setup
  • Excellent range of comfortable, changable tips for comfortable use

The Heavys H1E True Wireless Earbuds excel from a design perspective. They're made of a matte molded plastic which feels both premium and incredibly durable; there's IPX5 water and sweat resistance, meaning they can handle a splash of liquid as well. What impresses me most are the multi-sized ear tips that are shipped in the box, as you get a variety of sizes in different materials: memory foam and silicon, for a comfortable fit to suit most (if not all) ear sizes.

I'm someone who struggles with earbuds for long stretches of time, having previously ditched the likes of the Razer Hammerheads because they were too uncomfortable for long periods of use. Having multiple ear tips in various sizes meant I could find the fit that was right for me; whether I was out walking my Belgian Malinois, on a plane, commuting via train, or just working in the house. Once I found the right fit for me, I was away. Hours would go by, and I'd forget I was even wearing them; that's good ergonomic design right there.

A key design element present in the H1H headphones has been applied to the H1E earbuds too. However, instead of interchangeable ear cup shells, decorated to represent your favorite bands, the customization options apply to the case. There's a fair amount of official designs available, including Currents, Testament, Carnifex, Dream Theater, Opeth, and Whitelabel. Additionally, there are some original designs, including profanity-laden options or purple smoke to add a splash of color and personality. The case itself charges via USB-C and takes around two hours to juice up to full, giving you around 24 hours of total use, or around three full recharges of the earbuds' playback time. It's OK rather than great, as those numbers go.

Also so-so in the world of wireless earbuds in 2026 is Heavys' claim of up to seven hours of playback from the H1E earbuds, although your mileage may vary depending on your reliance on that "Hellblocker" ANC, as well as how you dial your EQ settings.

I've used dozens of wireless earbuds and headphones that feature great ANC over the years, and Heavys' Hellblocker solution just isn't it. The feature was also present on the H1H headphones with a dedicated switch to enable it, and worked well enough thanks (almost certainly) to the far larger drivers and mic array on the large ear cups. However, given the small size of the H1E earbuds, any real noise cancellation is pretty poor.

I tend to go out and walk my dog with the H1Es in, and even after hearing the gruff man on voice prompts announce "Hellblocker activated", I was still hearing other dogs barking, passing cars, wind noise, and all other background noise that should have been filtered out. All it really did was make the audio quality a little more muffled.

A good companion application can really elevate a pair of wireless earphones, giving you smart and reactive EQ options, helping you get the best listening experience possible. We've seen this before with Bowers & Wilkins' excellent Music App, to support its lineup of earbuds.

Unfortunately, the official Heavys app is nowhere near as good. Aside from updating the firmware, all it gives you is a basic EQ settings slider, and you're better off leaving it at the default, as it's hard to gear it towards one genre or another. My partner also experienced issues with having the H1Es connect to her Samsung Galaxy S25 Ultra via the app, as it wasn't as user-intuitive as you would hope for from earbuds released in 2026.

  • Design & Features score: 3.5 / 5
Heavys H1E review: Sound quality

(Image credit: Future)
  • Prominent bass and good overall low-end presence
  • Depending on the mixing, you get decent mids
  • 'Hellblocker' ANC changes the listening experience for the worse

The Heavys H1E True Wireless Earbuds are good for metal music most of the time. It's situational and circumstantial, though. As touched upon above, they can sound incredible for metal music, with the major caveat being the trappings of the genre itself. Metal is the most diverse genre of music on the planet, separated into dozens of sub-genres with niches within them. For example, if we look at black metal, you have your classic first and second waves (Venom and Celtic Frost to Mayhem and Emperor) to the likes of atmospheric black, black/death, symphonic black, melodic black, black 'n roll, blackgaze, and the list goes on.

There's no true way to be geared towards all metal music, just as you can't fine-tune an EQ between bands within the same sub-genre of a sub-genre. It can get as granular as different audio balancing for the likes of Archgoat, Belphegor, Behexen, and Behemoth, and that's just scratching the surface. In blanket terms, the Heavy H1E earbuds excel with anything forcing the low-end, particularly with sub-genres such as death metal, grindcore, deathcore, and anything that benefits most from a down-tuned guitar, five-string bass, and percussion cutting through the mix.

In my months with the Heavys H1Es, I've listened to hundreds of metal records, and the best listening experiences I can recall most come from streaming Vomitory, Batushka, Blood Red Throne, Korpse, Vulvodynia, Death, Conan, Kanonenfieber, Mgła, and Imperial Triumphant. The drivers are incredibly punchy, differentiating harsh vocals against bass and lower-tuned guitars, or guitars tuned to E standard that are soaked in distortion; there's good distinction, with no muddiness or fizziness that we see when heavier music genres are played from more general earbuds.

Other metal sub-genres don't really benefit from the low-end tuning of the audio drivers though. I'm nearly 30, and nowadays just as likely to put on some Black Sabbath, Clutch, or Green Lung as anything recorded from the frostbitten valleys of Scandinavia, and it's when listening to clean-sung vocals, or any metal music with more traditional production that the H1Es feel just... okay. Solstafir, Zeal & Ardor, Katatonia, Candlemass, Sleep, Metallica, Slayer, and Acid Bath sounded fine, but the listening experience was about on par with just about any (cheaper) wireless earbuds I've used over the last 10 years.

I really would recommend listening to music without the Hellblocker ANC active, as enabling it via touch controls can drastically impact the overall listening quality. Depending on the mix, things can go from a little muffled to quite tinny. It's not a unique complaint against the H1E earbuds, as ANC can do that, but it's particularly disappointing when the passive noise isolation doesn't filter the outside world out, and you end up having worse-sounding music when trying to fix it. It's not sophisticated enough to do its job, and it really just annoyed me rather than being all too useful.

  • Sound quality score: 3.5 / 5
Heavys H1E review: Value
  • Expensive for what they are
  • Poor overall ANC when compared to the competition
  • Stellar situationally, for certain genres of metal music

I've been critical of the Heavys H1E True Wireless Earbuds in this review. Considering the fact that I enjoy using the H1H over-ear headphones so much, I was expecting more of that sound quality and feature set to be carried over, but it hasn't translated as smoothly as I expected.

For the asking price of $209 / £185 / AU$321, there's no getting around the fact that you can get a far superior listening experience from a competitor. USP aside, unless you're really into death metal (or its offshoots), the cons may outweigh the pros here.

The Heavys H1Es are well-designed and comfortable for extended periods of time, and the case is well-made and holds a respectable charge, allowing for 24 hours of total use.

However, the ANC is poor, the Bluetooth connectivity can be spotty, the companion app is mediocre, and they're priced a little too high for what is (essentially) a marketing ploy. Under the right set of circumstances, these earbuds can be exceptional, but with a higher mid-market asking price and stiff competition, they're a hard sell in 2026.

  • Value score: 3 / 5
Should I buy the Heavys H1E True Wireless Earbuds?

Section

Notes

Score

Design & features

The H1Es are well-built with a sturdy case and have a respectable battery life. Sadly, the ANC is poor and the companion app is lacking

3.5/5

Sound quality

Some metal music sounds incredible coming through the dynamic drivers of the H1Es, with lower-tuned sub-genres, like death metal, metalcore, and deathcore singing. However, that extra weight and low-end prominence can result in a decidedly average sound for everything else

3.5/5

Value

The Heavy H1E True Wireless Earbuds aren't hugely expensive, but they're not a great value buy either when compared to their similarly priced competition from Apple, Google, and Samsung

3/5

Buy them if...

You love metal music above everything else
With the right bands and albums on, the Heavy H1Es deliver an exceptional listening experience, particularly if you're into the proper heavy death metal sub-genres.

You sometimes struggle to get buds to fit properly
The different ear tips included (in different, premium materials) with the Heavy H1Es give you plenty of choice for the most comfortable fit during long wear sessions. They also happen to be durable and lightweight in your ear.

You're fine with middling battery life from your buds
So they're not the longest-lasting earbuds on the market; does it bother you? The Heavy H1Es can go for up to seven hours on a single charge, and the case can juice them up three times between charges. The case itself only needs two hours to be able to go again as well. And given the punchy audio, it's not a bad claim.

Don't buy them if...

You want top-tier value for money
At $209 / £185 / AU$321, the Heavys H1E are far from the cheapest wireless earbuds available, comparable to flagship options from Google, Samsung and Apple but without really offering the versatility of their competitors.

You don't listen to *heavy* music
The Heavys H1Es are best when listening to down-tuned guitars, guttural vocals and percussion that's raised high in the mix, such as you'll find in death metal, deathcore, grindcore, and similar sub-genres. If you're into the softer sub-genres, or rock and roll, these are unlikely to do much for you.

Good ANC is a must
Hellblocker ANC technically works but it messes with the audio balancing of certain songs and doesn't do a great job of actually blocking out the outside noise. The trade-off in audio quality isn't worth it.

Heavys H1E review: Also consider

Bowers & wilkins Pi8

Cambridge Audio Melomania M100

Bose QuietComfort Ultra Earbuds (2nd Gen)

Price

$399 / £349 / AU$599

$219 / £169 / AU$299

$299 / £299 / AU$449

Drivers

12mm carbon cone

10mm driver, recycled Neodymium magnets

9.3mm

Active noise cancellation

Yes

Yes

Yes

Quoted battery life

6.5 hours (buds); 20 hours (case)

10 hours (buds) 33 hours total (with case) with ANC on

6 hours (buds) 24 hours total (with case)

Weight

7g per earbud

6.65g per earbud

7.7g per earbud

Connectivity

Bluetooth 5.4 with aptX, aptX Adaptive, aptX Lossless; USB-C with two cables in the box for case retransmission

Bluetooth 5.3, aptX Lossless, aptX Adaptive, AAC, SBC (USB-C and wireless charging)

Bluetooth 5.3, USB-C, aptX Adaptive, Snapdragon Sound

Frequency range

Not stated

Not stated

Not stated

Waterproofing

Yes, IP54

Yes, IPX4

Yes, IPX4

Other features

Triple core processor architecture; class A/B amplification; three mics per earbud with noise suppression for calls

High performance audio mode

The Technics EAH-AZ100 are a little more expensive than the Heavys H1E True Wireless Earbuds, but wow do they deliver best-in-class ANC, with a balanced feel, and great ergonomics, making them hard to beat.
Read our full Technics EAH-AZ100 review for more

Meanwhile, these guys are cheaper! Cambridge Audio Melomania A100 earbuds punch well above their weight with a pleasing overall sound and strong noise canceling, all for a price that's hard to beat.
Read our full Cambridge Audio Melomania A100 review

How I tested the Heavys H1E True Wireless Earbuds
  • Tested for a period of three months while comparing them to other wireless earbuds, headphones, and gaming headsets around my office.
  • Primarily used when outside walking my dog, commuting via plane or train, and running errands.
  • Throughout my listening experience, I mostly used Apple Music's Loseless tracks, Spotify, Bandcamp, and YouTube Music depending on the artist's availability.

I've been using the Heavys H1E True Wireless Earbuds over the last few months when I've been out and about, heading somewhere for work, walking the dog, or doing chores. They've lived in the case in the pocket of my jacket or my shoulder bag, and were actively used during commuting. For testing purposes, I did actively switch between them and the Heavys H1H over-ear headphones to compare sound quality and features.

Most of my time using the Heavys H1Es was spent with the earbuds connected to my iPhone 15 Pro Max. Although I did try them out on several occasions with my partner's Samsung Galaxy S25 Ultra, as well as my MacBook Air M1 (2020), to gauge how well the Bluetooth connection would be.

I am a metal musician (guitarist and vocalist) who has been recording and playing music for over 10 years. I have mixed and mastered many different metal albums, and have seen literally thousands of metal bands play live over the years at gigs and metal festivals, such as Damnation, Incineration, Bloodstock, Snuff Fest, Download, Brutal Assault, and countless others.

Read more about how we test

  • First reviewed September 2026.
Fool's Theory says the biggest 'challenge' developing Songs of the Past was making sure Dandelion's story didn't 'steal the show' since The Witcher 3 is about Geralt — 'There was a very big effort put into this fine balancing of the narrative' - Friday, September 11, 2026 - 15:00
  • CD Projekt Red and Fool's Theory say there were narrative challenges when developing The Witcher 3: Wild Hunt - Songs of the Past
  • The expansion is about Dandelion, but they didn't want him to "steal the show" from Geralt
  • There was also "pressure" to live up to the "legacy" of The Witcher 3's previous expansions, but "pressure is what makes us better"

CD Projekt Red and Fool's Theory have said that developing The Witcher 3: Wild Hunt's third expansion, Songs of the Past, came with some narrative challenges and pressure to deliver.

In an interview with TechRadar Gaming at Gamescom, where Jakub Rokosz, CEO of Fool's Theory and game director on Songs of the Past, and senior quest designer Despoina Anetaki offered new details about the upcoming expansion, the pair revealed the process of developing a new story about Dandelion without stealing the spotlight from Geralt.

Songs of the Past will be The Witcher 3's final expansion and centers on Dandelion, Geralt's best friend, as the monster slayer unravels a new mystery within the bard's homeland of Letten.

Rokosz and Anetaki discussed how the expansion will "complete" The Wild Hunt's story by giving Dandelion the spotlight he deserves, a chapter that CDPR felt was missing from the base game; however, it came with some challenges in how best to center the bard without losing the focus on Geralt as the protagonist.

"The narrative challenge of Songs of the Past was the biggest challenge; we knew we wanted to do an expansion about Dandelion, but he cannot steal the show, right? Because it's a game about Geralt," Rokosz said.

"So, all of us, straight away, we discarded certain ideas because they were too overwhelming. But then, at the same time, if it's a game about Geralt, there is a very fine line between when it's about Geralt and Dandelion and when it's about you just running around Dandelion's home, right?"

The former Witcher 3 senior quest designer also said that the narrative approach was something his team at Fool's Theory spent "absolute days and weeks discussing."

He added, "So there was a very big effort put into this fine balancing of the narrative, where you are there for your friend, but it's still your adventure. But it is about him and his family's matters, you know. And your relationship with Dandelion as well."

Anetaki said another big narrative challenge was "living up to the legacy" of The Witcher 3 and its critically acclaimed expansions, Hearts of Stone and, "especially," Blood and Wine.

"It's difficult to make something that is just as good or, if not better, right?" the developer said. "So it was really important for us, if we were to make an expansion, to make sure it's a compelling story, right?"

(Image credit: CD Projekt Red / Fool's Theory)

While Anetaki acknowledged that this came with a lot of pressure, "pressure is what makes us better."

"It's motivating," Rokosz continued, "we always try to outdo ourselves, both Fool's Theory and CDPR. When you're working on a AAA game, there's always something that you want to improve, right? Even if you release a very good AAA game like The Witcher 3, you know there's something we'll improve 11 years later in it, right?

"So we always try to outdo ourselves," he added, before referencing Songs of the Past's demo, which premiered at Gamescom and showcased the many visual and technical improvements.

"Everyone always tries to improve their own discipline, right?" Anetaki said. "Cinematics. A lot of them [developers] have a background in movies, and they try to hone their craft as the years go by, make it better. Same for quest design. We never rest on our laurels. We try to always improve our craft, make stories more nonlinear, more compelling, more memorable for our players.

"Writers have a background. A lot of them have published books, so they're excellent at what they do. They always try to tell amazing stories together with the quest designers and the cinematic designers. Art always tries to push the boundaries, tries to make everything fit the narrative and look as beautiful as possible.

"There are technical challenges that we always try to overcome, so it's always a journey upwards, right? We always try to push the quality."

Songs of the Past is scheduled to launch in 2027.

Bomb Chinese data centers to prevent development of AGI, says Former Obama Admin Official — nothing says ‘competition breeds innovation’ like blowing up your rivals - Friday, September 11, 2026 - 15:10
  • A US national security officer has suggested bombing Chinese data centers to prevent them from developing or using AGI
  • Cyberattacks are also an option that wouldn't result in full-scale retaliation
  • If China can't be trusted with AGI, why should the US be trusted to use it responsibly?

If you’re struggling to compete with your rivals technologically, it’s now worth considering just blowing up their ability to operate - and that's according to a former Obama administration official.

In a document titled “Superpowers and AGI”, former national security official Jacob Stokes says that the government should prepare for the scenario where China develops artificial general intelligence (AGI) before the United States.

In that scenario, Stokes offers a no-holds-barred approach that includes cyberattacks, sabotage, and, of course, simply bombing China’s data centers.

‘Bombing would cross a major threshold’

AGI is a theoretical point in AI development where the intelligence of an AI system matches or exceeds human reasoning and intelligence. This level of artificial intelligence could have self-preservation tendencies (think Skynet) or could be used maliciously to launch huge cyberattacks or be used to develop new weapons.

While entirely theoretical, Stokes' report suggests that AGI is inevitable, and the US should be prepared to do anything necessary to prevent China from developing it first. In this scenario, Stokes says that the US should “try to sabotage the leading state's AGI systems, either through physical infiltration or offensive cyber operations; that is, cyberattack."

This approach, Stokes theorizes, might be preferable as “Cyberattacks to sabotage AGI might not provoke large-scale retaliation,” which is a reasonable assumption given the number of state-sponsored cyberattacks China has launched on US critical infrastructure.

Should cyberattacks fail however, Stokes suggests a rapid escalation in response. “The final option would be the most dangerous and carry the most escalation risk: kinetic attacks, meaning destroying things with missiles and bombs."

This has already been seen to be fairly effective in neutralizing AI systems, as the US has experienced in the US with warfighting capabilities knocked offline after Iran hit AWS data centers with missiles.

But bombing Chinese data centers would effectively be a declaration of war, and would likely escalate to retaliatory action - be that with kinetic munitions in response, or something with a bit more firepower.

But if AGI is so dangerous in the wrong hands, who is to say the US is best placed to use it responsibly? And if China cannot be trusted to have AGI because they may use it against the US, who’s to say the reverse isn’t also true? Would China therefore be justified in bombing US data centers for reasons of self-preservation? How do you verify China has AGI in the first place?

Stokes further warns that China could make a “surprise technological breakthrough” that allows the development of AGI, which China would use for “offensive cyber tools — in other words, cyber weapons.”

Currently, there is only one nation that is mass-deploying AI systems in law enforcement, federal agencies, and the military. There is only one nation that has used AI systems to help coordinate bombing and missile campaigns. There is only one nation whose AI companies have developed models that frequently escape testing and attack third parties. It might be worth a quick look in the mirror to decide who can be trusted with AGI.

Via SCMP

IKEA fall trends for 2026: create an energizing home office with bright brass and matcha green storage and lighting, from $9.99 - Friday, September 11, 2026 - 16:00

If your home office is starting to feel drab as fall approaches, this is the perfect time to give it a quick makeover — and it doesn't have to be expensive. One of the most interesting color palettes around right now uses shades of earthy matcha green paired with bright, polished brass, and IKEA has all the furniture and accessories you need to create the look, starting at just $9.99.

If your existing office furniture is quite neutral, you can transform the overall vibe with just a few carefully chosen accents. IKEA has a great selection of gold-toned picture frames, green lamps (some of which double as Bluetooth speakers), brass desk accessories, and lush artificial plants to bring your workspace right up to date.

For a bigger change, take a look at the current range of deep-green storage solutions, including items that do double-duty as seating (ideal for small spaces). Scroll on for my pick of all the smartest picks at IKEA right now.

Matcha green and polished brass

IKEA Kallax Wire Basket

IKEA PS 2026 Floor Uplighter

IKEA Idåsen Cabinet With Drawer and Doors

IKEA Nålmakare Cabinet on Casters

IKEA Stockholm 2025 Tray

IKEA Kulglass Bluetooth Speaker Lamp

IKEA Idåsen Cabinet With Doors and Drawers

IKEA Pärlband Tealight Holder

IKEA Solvinden LED Table Lamp

IKEA Fejka Artificial Potted Plant

IKEA Silverhöjden Frame

IKEA Kallsup Portable Bluetooth Speaker

IKEA Stockholm 2025 Bowl And Dish

IKEA Valtorp Bench With Storage

IKEA Begåvning Glass Dome With Base

IKEA Torsjö Side Table

IKEA Fejka Artificial Potted Plant

IKEA Höstagille Scented Candle, Metal Tin

Today’s Wordle Hints, Answer and Help for Sept. 13, #1912 - Saturday, September 12, 2026 - 16:00
Here are hints and the answers for today’s NYT Wordle puzzle for Sept. 13, 2026.
Today’s NYT Connections Hints and Answers for Sept. 13, #1190 - Saturday, September 12, 2026 - 16:00
Here are hints and the answer for today’s NYT Connections puzzle, No. 1,190 for Sunday, Sept. 13.
Today’s NYT Strands Hints, Answers and Help for Sept. 13, #924 - Saturday, September 12, 2026 - 16:00
Here are hints and the answers for today’s NYT Strands puzzle, No. 924 for Sunday, Sept. 13, 2026.
Spanish Grand Prix: How to Watch the F1 Race Today - Saturday, September 12, 2026 - 18:00
The drivers prepare to take on a brand-new street track in Madrid.
Today’s NYT Mini Crossword Answers for Sunday, Sept. 13 - Saturday, September 12, 2026 - 23:32
Here are hints and the answers for today’s NYT Mini Crossword puzzle for Sept. 13, 2026.

Pages