News
- Apple’s foldable iPhone is on track to go on sale in September 2026, based on a new rumor
- A well-known Apple analyst claims it will enter production next year
- They also say its sales will be impacted by its high price tag
Apple's long-awaited foldable iPhone is due to enter production next year, according to a leading analyst, which puts it on course for a release alongside the iPhone 18 range in September 2026.
Posting on X, Ming-Chi Kuo also claimed that Apple is anticipating relatively low sales of its foldable, on account of what he says will be its "premium pricing".
If Kuo is on the money, this would mean there’s not long to go before we get a glimpse of the company’s first attempt at a foldable device. Then, we’ll finally find out how it fares against the rumored Samsung Galaxy Z Fold 7.
The foldable iPhone has been rumored to come with an under-display camera, a near-invisible seam, a beautiful display, and impressive battery life. That all means it won’t come cheap – which Kuo appears to confirm – and that’s a key concern of mine.
The pricing barrier(Image credit: ConceptsiPhone)In the X post, Kuo noted that recent rumors have claimed Apple has ordered 15-20 million units of the device. Yet Kuo revealed that this is likely the figure for “the product’s 2-3 year lifecycle,” putting the sales estimates for each year significantly lower.
The importance of that is that Kuo says the lower yearly estimations all come down to the foldable’s “premium pricing.” As with the costly Vision Pro headset, the sky-high asking price of the foldable iPhone is going to put a lot of people off, including myself – while I’m dying to try out this new evolution in the iPhone line-up, I’m not willing to sell a kidney to get one.
How much are we talking here? We’ve previously seen reports that Apple could price the foldable iPhone anywhere between $2,100 and $2,500. For context, the most expensive iPhone right now – the iPhone 16 Pro Max – starts at $1,199, making the foldable iPhone roughly twice as expensive.
We won’t know for sure, of course, until the foldable iPhone actually launches. But with that date rapidly approaching, it could well be out of reach for the majority of Apple’s customers.
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- Viewing figures in May show streaming eclipsed TV for the first time
- The news comes as Netflix signs a broadcast deal with France's TF1
- Netflix will show traditional TV channels from next year
Traditional TV just hit a new low – for the first time in history, streaming services had a bigger audience than broadcast and cable channels combined. That's according to official US viewership numbers from May, and in a poetic twist of timing, Netflix has just announced its first-ever deal to broadcast traditional channels and live TV.
In a tie-up with French TV giant TF1 (as reported by The Financial Times), the streaming platform will host all five of its traditional channels – along with more than 30,000 hours of on-demand content. From summer next year, subscribers in France will be able to watch everything from prime-time dramas to The Voice, plus live sports, including the French national football team’s matches.
The deal marks a major shift in the streaming landscape. Netflix has long posed a disruptive threat to traditional television – now it’s going full circle and offering the medium a lifeline, hosting the very kind of live, linear programming that it helped to dethrone.
The move's timing is particularly exquisite, because May was also the first month on record where streaming became more popular than its traditional TV rivals...
Crossing the streamsAccording to Nielsen data, May was the first month ever where streaming was more popular than cable and broadcast combined in the US.
YouTube led the field (12.5%), followed by Netflix (7.5%). Nielsen's data has limitations – it only tracks US viewing on TV screens (smartphones, tablets and laptops aren't included). But it's still a milestone moment that reflects a wider trend: more people (especially younger audiences) are ditching scheduled programming entirely. Instead, they access on-demand content through smart TVs, tablets and smartphones.
(Image credit: Nielsen)As streaming eats up more screen time, traditional broadcasters are struggling to keep up. Fragmented audiences and falling ad revenues make it harder to sustain old business models. While some have launched their own streaming services, such as Britbox – a joint venture between ITV and BBC Studios – these rarely achieve global reach. Now, some networks are turning to their streaming rivals for traction.
TF1 is a perfect example. Its free-to-watch TF1+ streaming service serves a sizable domestic audience, but remains heavily reliant on advertising revenue. Netflix’s subscriber base in France – which reportedly passed 10 million in 2022 – offers a much bigger pool of potential viewers. For TF1, the upside of a partnership is clear.
Competitor to saviorFor Netflix, the deal brings fresh content to its platform. TF1 has a huge back-catalog, including popular dramas such as Brocéliande and reality shows like Koh-Lanta. Speaking to the The Financial Times, Greg Peters, co-chief executive of Netflix, said that many French viewers already think of “TV as Netflix”.
Describing TF1 as a “producer of great, premium content”, Peters highlighted the variety of shows that the tie-up will bring to the platform. In a competitive market, where Netflix needs to continue justifying its rising subscription costs, it’s a move which could help retain customers.
It isn't the first time the two companies have worked together. TF1 and Netflix previously collaborated on scripted co-productions such as Les Combattantes and Tout le bleu du ciel. But it is the first time Netflix will stream live, scheduled TV channels. That marks a major evolution in how streaming platforms and legacy broadcasters work together.
(Image credit: Netflix)It also reflects how streaming has reshaped TV itself – not just how we watch, but what gets made. Shows like Lucifer (above), Money Heist and Designated Survivor were all rescued by Netflix after being canceled by their original networks. In more ways than one, streaming has gone from TV’s competitor to its savior.
Whether this deal signals the start of a broader shift remains to be seen. Peters hinted that Netflix would see how things go with TF1 before rolling out similar partnerships elsewhere. But it’s a clear sign that the definition of ‘TV’ has changed forever. As streaming overtakes traditional channels, the lines between the two are blurrier than ever. And it’s Netflix that’s setting the boundaries.
You might also like...Apple TV+ is known for some blockbuster-worthy original films, but so far in 2025 none of its new movies have managed to reach the same heights as its TV show releases.
We've only seen three new Apple TV+ original films released this year, none of which would be considered to be among the best Apple TV+ movies, as they all have low-scoring reviews from critics and audiences alike.
The worst-rated movie is adventure-action flick Fountain of Youth, which currently has a Rotten Tomatoes critical score of just 36%. The mystery drama Echo Valley fares better with a 52% rating, while romantic thriller The Gorge scores an only slightly better 63%.
Granted, audiences appear to give slightly more positive reviews than the critics (aside from Echo Valley; it seems we're all in agreement that it's a middle-of-the-road type movie), but none of the trio can hold a candle to the best Apple TV+ shows that have been released this year.
(Image credit: Apple TV+)Just to name a few, we've had the biggest Apple TV+ returning series of 2025 so far, Severance season 2, rack up an almost flawless 95% on Rotten Tomatoes from the critics, while The Studio, Mythic Quest, Carême, Dope Thief and Your Friends and Neighbors have all received scores of above 80% from the critics on the review aggregate site.
Is this a sign that Apple TV+ can't quite make movies that match the success of its TV shows? Definitely not (and I'll get into why below). Instead, I think it's more of an indication that Apple Studios is better suited to making TV shows. After all, it's a young studio that's still finding its way among the established names of Hollywood.
What sets Apple TV+ shows apart from their movie counterparts? (Image credit: Apple TV Plus)I'm not alone in naming Severance season 2 as one of my top TV shows of 2025. It's got intrigue, mystery, excellent pacing, satisfying reveals, phenomenal acting, stylish cinematography, and mesmerizing dance scenes (Milchick's boogie numbers are a highlight).
Since signing up for a rare Apple TV+ deal in April, I've continued to be hooked by new shows on the platform, from the satirical comedy series The Studio, which has a timely, smartly written script, to Jon Hamm's return to TV in the drama Your Friends and Neighbors.
Apple TV+ has a weighty TV catalog of gems that it's been adding to in 2025. Can I say the same for Apple TV+ Original movies? Unfortunately, none of the aforementioned three have come anywhere close to the series I've watched in terms of quality, and that's not because I've personally not been interested in the stories they tell.
(Image credit: Apple TV+)As a big National Treasure fan, I'd been looking forward to Guy Ricthie's treasure-hunting film Fountain of Youth – but like many others, I felt the story became too predictable, which took away much of the excitement. Not even the star power of Natalie Portman (Leon; V for Vendetta) or Domhnall Gleeson (Ex Machina; About Time) could help rescue it.
As for The Gorge, I will say that it had some playful scenes – like the one where Anya Taylor Joy (Queen's Gambit) and Miles Teller (Whiplash) act out their most popular characters – but the payoff was not at all what it should have been. Funnily enough, it was essentially the opposite with Echo Valley; the mystery thriller had an intriguing plot twist, but the film was let down by Sydney Sweeney's exaggerated performance.
Apple TV+ movies walked so its TV shows could run(Image credit: Apple TV)It wasn't always like this. When Apple Studios and Apple TV+ launched in 2019, they made a splash in the film industry by picking up the distribution rights of CODA: the first movie by a streaming service to ever win the Academy Award for Best Picture.
Of course, an Oscar win can be taken with a pinch of salt, especially considering that the Academy has only recently started to insist that judges actually watch the nominations before casting a vote, but the coveted prize is still a good barometer of what's successful.
The win was a shock to the industry in 2022, mostly because rival streaming services that had been producing content for a lot longer had only ever received nominations. But it sent out a big signal to everyone that Apple TV+ had an eye for good stories, and crucially a big purse to get them.
It reportedly spent $22 million at the Sundance Film Festival to acquire CODA, and looked to replicate its success by pursuing similar projects that fit the bill for big theatrical runs, such as Killers of the Flower Moon, Napoleon and Argylle. Variety reports that those three films combined cost the company at least $700 million to make, but a source told the publication that only Killers of the Flower Moon and Napoleon were profitable.
(Image credit: Apple TV Plus/Paramount Pictures)Apple has similarly splurged on its TV productions, which undoubtedly helped them to win critical acclaim. Bloomberg reported that the first two seasons of The Morning Show cost an eye-watering $300 million to make, making them among the most expensive TV shows ever made – and Apple has its name behind a lot of those, including See, Foundation, Pachinko and most recently Severance season 2, each episode of which cost $20 million to make.
Apple's TV bets have paid off much more than its film projects, looking at the number of positive reviews each has received, and it seems that those movie misses have made big holes in the company's pockets that are starting to take their toll, because Apple has decided to pull back massively on its budgets.
According to anonymous claims reported in The New York Times earlier this year, Apple Studios will, going forward, only make one or two "event-size films a year, with big budgets and expansive theatrical releases".
The report added that Apple would set a limit of $80 million or less for the budgets of its films, which indicates to me that it's focusing on prestige TV over the box office – and that doesn't necessarily mean it's spending less, considering that some series rival the costs of big box office productions already.
Upcoming Apple TV+ movies to be excited about (Image credit: Warner Bros. Pictures/Apple)Apple TV+ still has a chance to turn its losing movie streak around with the upcoming release of the new F1 movie, though. It's arguably one of its biggest releases of 2025 and with it coming out in the summer (for those in the northern hemisphere at least), a lot is riding on this being a big pull for audiences.
With Joseph Kosinski (Top Gun: Maverick) in the director's chair, I don't doubt that this is going to be spectacle, especially considering the way it's been filmed. A lot of the scenes involving the fictional F1 team that includes Brad Pitt and co-star Damson Idris have been shot on real-life F1 racetracks, so the big-screen action is set to be thrilling.
I've also got my money on Spike Lee's new crime movie Highest 2 Lowest being a surefire hit on Apple TV+. Denzel Washington (Training Day) sounds like he's been perfectly cast in the lead role of a music mogul targeted by a ransom – anyone else getting Man on Fire vibes?
Both F1 and Highest 2 Lowest are getting theatrical releases before eventually streaming on Apple TV+, which is another sign that the studio is backing these two titles as its potential "event-sized" blockbuster winners of the year.
I wouldn't write off Apple TV+ movies just yet, then. Indeed, I'm hopeful that both films will be the redeeming movie releases I've been waiting for.
You might also like- Amazon workers in Seattle, Arlington and Washington DC workers could have to move closer to the office
- Amazon has been relocating workers for months, citing boosted productivity
- The company's office-working policy now stands at five days
Amazon is requiring some corporate workers to relocate closer to their managers and teams, targeting cities like Seattle, Arlington and Washington DC (via Bloomberg).
Unlike other similar moves, which have been communicated via email, the ecommerce giant is believed to be sharing the message via one-on-one meetings and town halls with those likely to be affected.
The report notes thousands of employees could be forced to move from across various teams, however the company's famously vocal workers are understandably frustrated with the decision.
Amazon is asking workers to relocateAlthough relocating isn't always a problem for new starters, many mid-career workers are hesitant to move due to personal and financial challenges – a move would mean uprooting families, children switching schools and partners seeking other jobs.
Affected workers are said to have 30 days to decide, followed by a 60-day period to relocate or resign. It's also believed that those who refuse to relocate will not be receiving severance packages.
A company spokesperson said that Amazon's relocation trend has already been ongoing for more than a year, with CEO Andy Jassy previously claiming that in-person working boost ad-hoc interactions and, therefore, productivity.
Amazon now requires workers to come to the office five days per week, but that policy got delayed at the end of 2024 due to a lack of readiness – there simply weren't enough desks.
"We hear from the majority of our teammates that they love the energy from being located together, and whenever someone chooses to or is asked to relocate, we work with them to offer support based on their individual circumstances," a company spokesperson stated.
Some workers worry that the policy shift could be an effort to push workers away from the company – although thousands lost their jobs in 2022 and 2023, Amazon's layoffs in the years that followed have been relatively small (compared with other giants in the industry).
TechRadar Pro has reached out to Amazon for a comment, but we did not receive an immediate response.
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18 months have passed since Max (soon to be rebranded to HBO Max) became the exclusive streaming home for A24 movies – well, in nations where one of the world's best streaming services has launched, anyway. Since that multi-year deal was signed in December 2023, over 100 A24-developed films have joined Max's back catalog.
You'll be able to add more to that growing list next month, too. July 2025 marks the official streaming debut for three more new movies from the acclaimed indie studio, including two that only arrived in theaters earlier this year.
However, based on their Rotten Tomatoes (RT) critics scores, there's only one that'll deserve a spot on our best Max movies list. To help you decide which film(s) are worth your time, I've ranked the forthcoming trio from worst to best. That way, you'll have a better idea of determining if some of July's new Max movies should be added to your watchlist.
3. OpusHBO Max release date: July 11
Runtime: 1 hour 44 minutes
Age rating: R
Main cast: Ayo Edebiri, John Malkovich, Juliette Lewis, Murray Bartlett, Melissa Chambers, Tony Hale, Young Mazino, and Amber Midthunder
Director: Mark Anthony Green
RT critics score: 40%
With a starry cast including the ever-excellent John Malkovich, The Bear's Ayo Edebiri, The Last of Us' Young Mazino, and Prey's Amber Midthunder, you might have expected Opus to be a must-watch.
Assembling a cast of talented actors will only get you so far, though, and Opus proves it. A cult-based thriller that's not dissimilar to another A24 flick in Midsommar, Opus struggles to match the psychological intensity, narrative mystery, and lashings of horror that of its 2016 genre cousin. Malkovich chews the scenery with a delightfully unhinged performance but, that aside, Opus is a largely forgettable movie.
2. Death of a UnicornHBO Max release date: July 25
Runtime: 1 hour 44 minutes
Age rating: R
Main cast: Jenna Ortega, Paul Rudd, Will Poulter, Anthony Carrigan, Tea Leoni, and Richard E Grant
Director: Alex Scharfman
RT critics score: 54%
Another horror-fuelled A24 offering that, based on its own A-list cast, should have been better received than it was.
Like Opus, though, the messy nature of this satirical creature feature's plot drags it down. The never-aging Marvel actor Paul Rudd and Wednesday superstar Jenny Ortega ground proceedings with their convincing father-daughter dynamic, while Poulter and Grant bring classic British flair to their villainous roles. Those highlights aside, Death of a Unicorn is a tonal misfire that disappointingly skewers its potentially great narrative and thematic ideas.
1. On Becoming a Guinea FowlHBO Max release date: July 4
Runtime: 1 hour 35 minutes
Age rating: PG-13
Main cast: Susan Chardy, Elisbath Chisela, Henry B.J. Phiri, Roy Chisha, Blessings Bhamjee, Chunju Bwalya, and Maggie Mulubwa
Director: Rungano Nyoni
RT critics score: 100%
Of the three new A24 films that'll join Max's movie library in July, I suspect that this hidden gem was the one that most readers wouldn't have expected to come out on top.
With its perfect RT critical rating, though, On Becoming a Guinea Fowl is an unmissable dark comedy-drama that's not only Nyoni's first feature in eight years, but also cements the Zambian-Welsh filmmaker as one of the most talented of her generation. A universally appealing, beautifully shot, witty, and at-times uncomfortable movie whose exploration of death, self-deception, and communal misgivings is incredibly impactful.
You might also like- Episource confirms cyberattack with patient data stolen
- The theft happened in late January 2025, and includes policy and MedicAid information
- Customers are urged to remain vigilant
American healthcare data giant Episource has confirmed suffering a cyberattack in which it lost sensitive data on more than five million people.
In a data breach notification published on the company’s website, it said the intrusion was spotted on February 6, 2025, and after shutting down the IT network, bringing in third-party forensics experts, and notifying law enforcement, the company learned the miscreants took “copies of some data” between January 27 and February 6, 2025.
The data includes health plans/policies, insurance companies, member/group ID numbers, and Medicaid-Medicare-government payor ID numbers. It also includes health data such as medical record numbers, doctors, diagnoses, medicines, test results, images, care, and treatment, as well as other personal data such as dates of birth or Social Security numbers (SSN).
Increasing credibilityCybercriminals often target healthcare organizations for their data, since it can be abused in phishing, identity theft, and other forms of scams.
Crooks can use the data to craft personalized, convincing emails, which can trick the victims into downloading malware or sharing login credentials.
At the same time, Episource filed a new report with the US Department of Health and Human Services Office for Civil Rights’ breach portal, confirming exactly 5,418,866 people were affected by this attack.
The company began notifying them on April 23, 2025, it was said. It did not state which providers it’s notifying, but stressed that not everyone was impacted by the attack.
Episource is a healthcare data and technology company that helps health plans manage risk adjustment, quality measurement, and clinical data through analytics, coding, and technology solutions.
It is urging impacted individuals to stay vigilant, and watch out for potential impersonation and scam attempts.
Via BleepingComputer
More from TechRadar Pro- Cybercrime gang hacks major health data provider - millions of highly personal files could be at risk of breach
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- Nintendo has provided instructions for how to fix the Switch 2 battery charge indicator issue
- This solution is for "for when the battery amount displayed and the actual remaining battery use don't match"
- Nintendo adds that if following these steps didn't resolve the issue, then the console will need to be sent in for a service repair
Nintendo has shared a solution for the common Switch 2 battery charge indicator issue.
The Switch 2 officially launched earlier this month, and if you're one of the users who have been experiencing a problem where your console is incorrectly displaying your battery percentage, thankfully, there's now a fix.
On the support page, Nintendo has provided simple step-by-step instructions "for when the battery amount displayed and the actual remaining battery use don't match."
All you'll need is your Switch 2 console, the Switch 2 AC adapter, and access to the internet. You can read the guide below.
- Confirm that you're using an adequately powerful AC adapter to charge your console. The Nintendo Switch AC adapter (Model HAC-002) can be used to charge the Nintendo Switch 2 when plugged into the console directly. Due to power output differences, it cannot be used to charge the Nintendo Switch 2 when docked.
- Confirm that your console has the latest system update.
- Power off the console.
- Press and hold down the volume up (+) and volume down (-) buttons, press the POWER Button once to turn the system on.
- Keep holding down the volume buttons until the menu for Recovery Mode appears. Navigating to this menu should reset the battery level meter.
- Power off the console again by pressing and holding the POWER Button until it turns off.
- Power the console back on and monitor the situation.
Nintendo noted that navigating to the Recovery Mode menu should be enough to reset the battery level meter, but if following these steps still didn't resolve the battery charge indicator issue, then the console will need to be sent in for a service repair.
If you're hoping to get your hands on the new console, you can check out our live coverage of Nintendo Switch 2 restocks for the US and UK.
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