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Not every AI workload belongs in the same place. Large language models often fit logically in the cloud because they can serve as general-purpose engines that improve with scale and draw value from broad, up-to-date knowledge.
But the AI workloads moving into production are not just text and language, and we’re increasingly seeing enterprises adopt multimodal models for AI video, audio, and image generation and seeing massive advantages across compute usage, control of IP, and ability to customize the look and feel of creative output.
For these types of creative production, the raw material they’re using to build is not the open web. Instead, it’s often footage, branded assets, or unreleased IP that already lives within the organization’s walls. In these instances, there’s a clear need for running the models closer to where that content already resides.
That’s because creative production is iterative by nature, and that volume of iteration and generation brings with it real cost pressures when drawing on the cloud.
As a founder, I’ve watched this transition play out repeatedly: companies adopt AI pilots, usage skyrockets, and suddenly finance teams are trying to understand which teams, workflows, or model calls are driving up the bill.
Cost predictability becomes an infrastructure questionOnce AI tools become part of daily work, usage no longer behaves like an experiment. Every generation, agent action, video render, or workflow step carries a cost. The equation becomes much harder to forecast once adoption spreads across teams and AI agents.
For companies with high-volume creative workloads, running more of their inference locally, at the edge, or in private environments gives greater control over unit economics and makes AI spending easier to manage over time.
This is particularly important in creative production environments, like filmmaking and gaming, all the way to marketing campaign creation and internal training, where teams often generate dozens of variations of an asset, sequence, campaign concept, or interface.
In an environment where a single workflow can generate thousands of API calls per day, the difference between cloud and local inference can determine whether an AI strategy is sustainable or requires constant budget justification.
Data control will shape deployment choicesLong-term, data control has potential to be a primary driver for enterprises to move toward more flexible AI architectures. Businesses have become increasingly sensitive about where and how their information is stored, how long it stays there, who has access to it, and how it can be used.
Those questions become more serious when AI is mapping physical environments, working with unreleased creative assets, production files, or other material that was never meant to move freely outside controlled systems.
When it comes to AI video generation, which can involve multiple iterations on sensitive creative assets and IP, teams may prefer to run their models within their own environments. In these cases, local or private deployments are less about rejecting the cloud and more about giving companies a way to use AI without handing over access to sensitive information.
As AI becomes more embedded in business-critical work, these choices will involve more than IT architecture because they affect what a company can build, what risks it takes on, and how much control it keeps over the systems producing its work.
The future is optionality, not a single deployment modelThe cloud has proven to be essential for many AI workloads, especially when companies need elastic compute, access to frontier models, or the ability to support highly variable demand.
A more realistic future is one in which enterprise AI becomes hybrid by necessity, with different workloads running in different environments based on the needs of the business rather than the convenience of a single deployment model.
Some workloads will run in the cloud because scale matters most, while others will run locally because latency, interactivity, and iteration matter more, and still others will run on-prem to prioritize privacy, compliance, customization, or ownership.
The organizations that prepare for this transition will be the ones that stop treating deployment as a binary choice and start asking which workloads require which level of control.
This pressure only intensifies when we consider where creative production is heading. The same models that teams use to generate video are now evolving into world models: systems that can predict and simulate the physical world, moment to moment, in real time.
Workloads like these will be defined by interactivity and latency, and a generation that waits on a round trip from the cloud and back won’t be able to cut it.
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I can't say that I've been paying too much attention to what's happening at San Diego Comic Con, but I certainly didn't expect new Big Bang Theory spinoff Stuart Fails to Save the Universe and the DC universe to be mentioned in the same breath.
According to Nerdist, DC President Jim Lee made a surprise appearance at the HBO Max show's panel in Hall H, confirming that multiple DC characters will cameo later in the season.
“Some of the DC characters they have in it, I think, are some of the best versions I’ve seen of those characters,” Lee said during the panel.
In other words, watch out James Gunn. With Supergirl failing to make much impact earlier this year, maybe Stuart Fails to Save the Universe actually is the best DC Universe iteration we'll get in 2026.
If you've been watching the teaser trailers closely, you might have seen underrated characters such as Gotham villain Mr. Freeze have already featured. But if creators really want to bring the existing Big Bang Theory lore full circle, the show can't omit the superhero that's been staring us in the face for years.
Stuart Fails to Save the Universe's DC crossover need to include The Flash to commemorate — or spite — SheldonEven if you've only watched one episode of Big Bang Theory in your lifetime, my campaign for The Flash to join the Stuart Fails to Save the Universe x DC episode hopefully won't come as a surprise.
He's Sheldon's (Jim Parsons) favorite DC superhero, and the reason why, nearly every time we see him, he's sporting the iconic T-shirt with the Flash logo.
We're going to be on tenterhooks for all of the new show's 10-episode run to see if Sheldon makes a cameo appearance, and dropping in The Flash as a potential clue could be a really fun way for the creators to mess with us.
On the flip side, a Flash cameo could also work to either spite or celebrate Sheldon. The reason why Stuart (Kevin Sussman) is in this multiverse mess in the first place is because he broke a device built by Sheldon and Leonard (Johnny Galecki); bringing his favorite superhero closer to home could be a great way to apologize.
However, this is a multiverse show, so The Flash likely won't be appearing in the Sheldon we know's reality. So if another Sheldon met the Flash instead... our one would be furious. That, in itself, is hilarious.
At this point, I'm purely speculating. We've got no idea which DC characters will appear in Stuart Fails to Save the Universe, nor do we know exactly which episode they will be in. Regardless, we can definitely assume that the crossover will be an epic one.


