News

• SK On says solid-state cells can give industrial robots the 8+ hour runtime of a human shift, but adoption might be another story
• While upcoming solid-state batteries boost productivity through longer operating times and lower overall operating costs, they are prohibitively more expensive than some of their lithium-ion peers
• Modern Li-on-based batteries are under 2% of a robot's manufacturing cost today, and solid-state would push that share to around 8%, a premium that could come with serious tradeoffs for manufacturers

Modern robotics is a field that continues to grow over time, fueled by a mix of smarter AI, manufacturing efficiencies and at times, better materials that change what is possible on the ground.

The robots currently in use in factories and warehouses however have a key limitation that has yet to be addressed properly: Lithium-ion batteries often can not keep up with the power demand that modern robots have.

This is particularly reflected in how often they require a battery swap or a recharge: most lithium-ion-powered robots typically operate for one to two hours on a charge, a far cry from the industry's ambitions of machines that can work a full eight-hour shift.

Speaking at the 2nd Battery Foundry Forum in Seoul on July 15 2026, Ko Young-seok, the executive vice president and head of product planning at the Korean battery maker SK On, argued that solid-state cells can deliver meaningful value for industrial robots that need extended runtime.

He also explained that whether manufacturers actually adopt them will come down to total cost of ownership (TCO), weighed against two cheaper rival approaches: battery swapping and ultra-fast charging.

The TCO framing implies that solid-state batteries, the battery industry's most hyped next-generation technology and inherently expensive to boot, might attract industrial buyers simply because the math works in their favor relative to conventional Li-ion setups.

This is because one must factor in the cost of keeping spare battery packs, charging and/or swap times, and potentially additional robots to cover the resulting downtime, which could leave solid-state with a lower TCO than the competition despite the higher sticker price.

The framing may also be unavoidable given how batteries sit in a robot's bill of materials today. A Li-ion battery accounts for under 2% of the total cost of an industrial robot, according to SK On, essentially a rounding error in the grand scheme of things, but switching to a solid-state battery could push that share to around 8%, a significant jump in overall costs.

For context, a widely circulated teardown of Tesla's Optimus Gen 2 puts the battery pack at about $300 in a roughly $55,000 hardware cost structure, around 0.5% of the bill of materials, comfortably under 2%, though units with larger packs or lower overall costs would land higher, and some independent estimates, including McKinsey's, put battery modules at 5–10% of a humanoid's bill of materials.

Solid-state cells, with their higher energy density, are one of the most promising routes to a robot that works a human shift without stopping, but given their comparatively steep cost versus the competition, one can understand why SK On is aiming this pitch at the robotics and industrial players that need the technology and can afford to pay for it.

For applications with short duty cycles, swapping a cheap lithium-ion pack or fast-charging between tasks may simply remain the better economic answer, but for customers willing and able to pay for more sustained power, solid-state seems to be the new play, even as it remains elusive for commercial EVs given its cost.

SK On has skin in this game on a specific timeline. The company completed its all-solid-state pilot plant at its Future Technology Institute in Daejeon last September, built in partnership with US solid-electrolyte firm Solid Power.

It is developing two chemistries: a polymer-oxide composite cell targeted for commercialization in 2028 and a sulfide-based cell in 2029, a timeline it has already accelerated by a year. But it has competition waiting in the wings: rival Samsung SDI, working with the same American partner, is aiming for 2027.

Whether this leads to widespread adoption of tech expected to appear only in the most expensive EVs on the market this decade remains to be seen, but the TCO argument Ko makes might stick more easily with industrial customers than with consumer EV buyers, for whom pricing and budgets are key factors.

Via The ELEC

• Pentagon eyes swarms of cheap drones over a handful of expensive fighter jets
• Carrier decks may soon be crowded with robots doing eight different combat jobs
• US Navy next fighter wing could fly itself from takeoff to target and back

The US Navy has issued a Request for Information (RFI) seeking a new family of carrier-based drones which would operate alongside manned aircraft while supporting missions across the full range of naval combat operations.

The service wants these systems to fly from Ford-class and Nimitz-class nuclear carriers, while some designs could operate from smaller vessels.

Its requirements seeking industry proposals for platforms capable of eight missions, including attacks against ships and land targets, anti-submarine warfare, air combat, electronic warfare, intelligence, surveillance and reconnaissance.

The aircraft would also support aerial refuelling and resupply missions for naval task forces, creating a broad set of requirements for a single aircraft or connected family of systems.

Strike variants must have a minimum range of 1,000 nautical miles, equivalent to roughly 1,150 miles.

The service also wants advanced autonomy for carrier operations, mission changes and threat avoidance during flight.

Proposed systems must support automated aerial refuelling and remain compatible with existing unmanned aircraft control systems.

The Navy is seeking “affordable mass, risk-tolerant platforms” capable of addressing current and emerging threats, which points toward affordable aircraft designed to be produced in larger numbers than traditional high-cost combat jets.

The RFI asks companies to explain how their production methods could expand rapidly during a surge while keeping recurring flight and sustainment costs within sustainable limits.

Manufacturers must also describe ways to reduce maintenance demands and use existing naval supply networks.

The Navy is also open to aircraft that can operate from platforms beyond its largest carriers - vertical-takeoff and landing UAVs could fly from destroyers, expeditionary sea bases and other vessels with suitable aviation facilities.

“The Navy is interested in novel concepts that can operate from any air-capable platform,” the RFI states, including destroyers and mobile sea bases.

This could give naval commanders more options for deploying autonomous aircraft across different maritime environments.

The Air Wing of the Future Family of Systems forms part of the Trump administration’s Golden Fleet expansion plan.

Existing related programmes include the MQ-25A Stingray tanker and Collaborative Combat Aircraft initiative.

The RFI also asks companies to explain planned capital investments and internal research commitments needed to mature their designs.

The Navy’s requirements suggest that future carrier aviation could combine advanced manned aircraft with larger fleets of autonomous systems designed for scale and operational risk tolerance.

Via Defense News

• Reports indicateHuawei is building and operating DRAM fabs through a joint venture with state-controlled SwaySure
• This is part of an alleged 11-fab network Huawei operates behind state-owned fronts that it denies exists
• The move, seen as a bid by Huawei to secure captive HBM supply for its increasingly powerful Ascend AI chips, could place the company above Apple, Intel, and Nvidia, none of which makes its own memory.

Mounting evidence suggests Huawei is taking the same approach that saw it build CPUs and AI chips in the past to DRAM in the present.

The Chinese tech conglomerate is allegedly building and operating DRAM fabrication plants on the mainland, bringing it into direct competition with only one major player at the same scale, albeit for a much larger consumer base: Samsung.

Drawing on media reports and postings by semiconductor analysts, Block & Files has published claims (which Huawei currently denies) that the company is potentially building and operating DRAM fabs through a joint venture with Shenzhen-based memory maker SwaySure, giving it effective control over at least 11 different semiconductor fabs in the region.

Despite its ramifications and Huawei's denials, the claim is hardly new: the first link between the two companies was in 2025, when the Financial Times published satellite images of Huawei's advanced chip production line that tied it to SwaySure and cited state financial backing for the facilities shown.

Huawei's purported move did not happen in a void, however; it finds itself in a situation where the Chinese state is increasingly and aggressively defending it not only covertly but overtly, on multiple fronts, as it responds to Washington-backed sanctions that limit and in some cases all but eliminate its ability to access cutting-edge silicon.

The overt part is easy to identify: the Semiconductor Industry Association estimated that Huawei is receiving $30 billion in state funding from the central government and its hometown of Shenzhen to build its chip network, while a separate 2019 estimate put the lifetime figure at US$75 billion in state support.

The government has also effectively barred its tech giants from buying AI chips from AMD and Nvidia while propelling Huawei's Ascend line to de facto standard in the Chinese market, guaranteeing Huawei revenue it would otherwise have to compete for.

The covert part is much harder to identify, but equally crucial: China also allegedly tolerates a shadow fab network that is, at least on paper, not directly associated with Huawei but is, for all intents and purposes, an arm of the giant, the opacity making it hard to pinpoint the direction and scale of Huawei's ambitions in the space. This is also why the US resorts to Entity List designations of Huawei's affiliates: Washington is trying to pierce a veil Beijing built on purpose.

The strongest corroborating signal, ironically, comes from Huawei's adversary: the US government's own Entity List designations imply that BIS investigators concluded these companies function as one network, which is as close to official confirmation as is currently available.

Huawei's move stems from a voracious appetite for AI-centric High Bandwidth Memory (HBM), which sanctions ensure it cannot source directly from international suppliers, with the US having tightened export controls to keep it, at least legally, out of Chinese hands.

While a Huawei that fabs its own DRAM would be a notable leap, it may be more of a potential future supplier to Apple than a direct competitor, as Apple is toying with the idea of buying memory from Chinese makers to ease its own supply issues.

Huawei's products do, however, compete with Apple in the smartphone segment, with Intel's server CPU offerings, and with Nvidia's AI chips, even as the last of these struggles to find a foothold in what was once one of its largest markets by revenue.

It does seem to have Samsung's Western position in its crosshairs as it builds toward zero Chinese dependency on suppliers Washington can sanction, but it has a lot of catching up to do to hold its own against the current king of the hill. Samsung holds a 3–4 year lead in HBM, arguably the gap that matters most, over China's CXMT, while its DRAM lead is much narrower and closing considerably faster against China-based memory makers.

Chinese makers have meanwhile reached relative parity in the NAND flash used in SSDs, an increasingly important space for AI, even as Huawei still relies on SMIC for CPU and GPU fabrication, a process roughly two nodes behind industry leader TSMC.

Huawei, at least on paper, has its own designs but does not fab them itself, leaving that to other specialist firms. But if the report holds true, it just might become the first real challenger to Samsung's position as chip designer, fabricator, and memory supplier all rolled into one.

A new Quordle puzzle appears at midnight each day for your time zone – which means that some people are always playing 'today's game' while others are playing 'yesterday's'. If you're looking for Tuesday's puzzle instead then click here: Quordle hints and answers for Tuesday, July 21 (game #1639).

Quordle was one of the original Wordle alternatives and is still going strong now more than 1,500 games later. It offers a genuine challenge, though, so read on if you need some Quordle hints today — or scroll down further for the answers.

Enjoy playing word games? You can also check out my NYT Connections today and NYT Strands today pages for hints and answers for those puzzles, while Marc's Wordle today column covers the original viral word game.

SPOILER WARNING: Information about Quordle today is below, so don't read on if you don't want to know the answers.

• The number of different vowels in Quordle today is 4*.

* Note that by vowel we mean the five standard vowels (A, E, I, O, U), not Y (which is sometimes counted as a vowel too).

• The number of Quordle answers containing a repeated letter today is 2.

• No. None of Q, Z, X or J appear among today's Quordle answers.

• The number of today's Quordle answers starting with the same letter is 2.

If you just want to know the answers at this stage, simply scroll down. If you're not ready yet then here's one more clue to make things a lot easier:

• C

• S

• A

• A

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

The answers to today's Quordle, game #1640, are…

• COYLY
• SINGE
• AWASH
• AWOKE

There are so many words beginning with S and ending in E that I got lucky using up just two guesses to get SINGE.

Elsewhere, having two words beginning A-W dramatically reduced my guessing time.

The answers to today's Quordle Daily Sequence, game #1640, are…

• PROUD
• WEAVE
• EATEN
• FIBER

• Quordle #1639, Tuesday, 21 July: TRUSS, AXIAL, SWINE, THING
• Quordle #1638, Monday, 20 July: ICING, SLICK, GAILY, RISEN
• Quordle #1637, Sunday, 19 July: SPURT, ACRID, THRUM, BLEEP
• Quordle #1636, Saturday, 18 July: KNAVE, TIGHT, BLEAT, CHAOS
• Quordle #1635, Friday, 17 July: CUMIN, PALER, GRASS, INBOX
• Quordle #1634, Thursday, 16 July: IGLOO, PLAIT, YEAST, AROMA
• Quordle #1633, Wednesday, 15 July: PROXY, BRICK, BROTH, SURGE
• Quordle #1632, Tuesday, 14 July: EBONY, AVOID, RODEO, CUTIE
• Quordle #1631, Monday, 13 July: VOICE, BISON, BURNT, BUILT
• Quordle #1630, Sunday, 12 July: STAIN, BINGO, LARVA, DICEY
• Quordle #1629, Saturday, 11 July: WORTH, PRONG, DINGO, DRUID
• Quordle #1628, Friday, 10 July: GREET, STEAK, DUSKY, HAUTE
• Quordle #1627, Thursday, 9 July: CRUMP, PHONE, SHINY, STONY
• Quordle #1626, Wednesday, 8 July: GHOST, TREND, EXALT, ALONG
• Quordle #1625, Tuesday, 7 July: ARRAY, SUITE, KIOSK, BOULE
• Quordle #1624, Monday, 6 July: TRAWL, SPICE, PIANO, SHARK
• Quordle #1623, Sunday, 5 July: PINEY, SWOON, TITLE, PINTO
• Quordle #1622, Saturday, 4 July: ARGUE, MOTEL, OPERA, TRUCE
• Quordle #1621, Friday, 3 July: AVERT, MOTOR, MANIC, WORDY
• Quordle #1620, Thursday, 2 July: BULKY, PARSE, BELOW, MOVIE

• Celeste Ecoflyers daS10, an inflatable drone, can reportedly fly for more than 10 hours
• Its 8-meter pneumatic wing replaces much of a conventional aircraft structure
• The drone can reportedly cover approximately 500 miles in one direction

A French aerospace startup is developing a 24-foot inflatable drone designed to remain airborne for more than 10 hours while covering roughly 500 miles one way.

The company recently completed early flight testing for the drone dubbed daS10, which uses a pressurized textile envelope and pneumatic wings.

When deflated, the drone can reportedly fit inside a normal car with its seats folded, giving operators an unusual transport option.

Celeste Ecoflyers developed the daS10 around an 8-meter fixed-wing structure that uses internal air pressure to maintain its shape during flight.

The inflated wing generates lift while avoiding some of the structural weight associated with conventional aircraft designs.

That approach is intended to reduce energy demands and allow the drone to remain airborne for much longer periods than many small multirotor systems.

The company is developing the aircraft for inspection, surveillance and remote logistics missions that require persistent aerial coverage.

Small consumer drones such as the DJI Mavic 4 Pro can remain airborne for around 50 minutes before requiring a recharge.

That endurance may be insufficient for monitoring pipelines, remote infrastructure or large areas affected by disasters.

Longer-range unmanned aircraft can address those missions, although traditional fixed-wing platforms and vertical-takeoff aircraft can involve higher acquisition, transport and operating costs.

The daS10 instead relies on a lightweight structure that can be deflated when the aircraft is not flying.

Celeste Ecoflyers describes the aircraft as a new class of aerial system designed to make persistent coverage lighter, safer and easier to deploy.

However, the company has not disclosed every operational specification needed to independently assess those claims.

The drone’s inflatable structure could allow teams to transport a large aircraft without requiring a dedicated trailer or specialised ground equipment.

Once deployed, operators would inflate the structure before preparing the aircraft for its mission.

The design could therefore suit remote operations where storage space and transport access are limited.

Potential missions include inspecting long pipelines, surveying disaster zones and monitoring areas where sending crewed aircraft would create unnecessary risks.

The drone also has a reported range of approximately 500 miles in one direction, allowing it to cover substantial distances before returning to its launch area.

The daS10 is still an emerging aircraft concept, and its real-world performance will depend on flight testing, payload capacity, weather tolerance, and the durability of its textile structure.

Its ability to combine long endurance with compact transport could make the design useful for operators needing extended coverage without conventional large aircraft infrastructure.

Via Celeste Ecoflyers | Yanko Design

It’s not long now until Samsung’s second major phone launch of the year, with the next Samsung Galaxy Unpacked showcase set to take place later on today.

This follows February’s Unpacked event, where we saw the Samsung Galaxy S26 series, but this time, we’re not just expecting phones, because along with a selection of new foldables — including a whole new form factor — we’ll probably see new smartwatches too, and even perhaps the Samsung Galaxy Glasses.

So, whether you’re in the market for a handset or a wearable, there could be something for you here, and below, you’ll find full details of how to tune in, along with exactly what we’re expecting to see.

The next Samsung Galaxy Unpacked is being held in London, but as with most major tech launches, it will also be streamed online, so you can watch it from anywhere.

It kicks off at 9am ET / 6am PT / 2pm BST / 11pm AEST on July 22, so at least it’s not the middle of the night for any of those places, though viewers on the west coast of the US will have to get up early, and if you’re in certain parts of Australia, you might have to stay up late.

To tune in, you can simply head to Samsung’s website, where the video will be streamed live. It will also be viewable live on Samsung’s YouTube page. But there’s no need to head to either, because the video embedded on this page (above) will play the stream once it’s live as well.

Wherever you choose to watch it, you don’t need to tune in live if the times are inconvenient, as you’ll be able to watch the video after the fact too. However, you might prefer to just head back to TechRadar, where we’ll be covering all the announcements with in-depth analysis.

We’ve written a full rundown of what to expect at Samsung Galaxy Unpacked 2026, but in brief, there’s probably going to be a mix of phones and wearables.

On the phones side, it’s likely to all be foldables, with the Samsung Galaxy Z Flip 8, Samsung Galaxy Z Fold 8, and Samsung Galaxy Z Fold 8 Ultra all rumored to be making an appearance.

Of those three, the Z Flip 8 and Z Fold 8 Ultra are thought to be fairly conventional successors to the Samsung Galaxy Z Flip 7 and Samsung Galaxy Z Fold 7, respectively. Look out for new chipsets, smaller creases, and potentially some new cameras, but nothing too game-changing is expected there.

The more interesting phone is the Samsung Galaxy Z Fold 8, which, despite its name, is reportedly going to have a new form factor, making it wider and shorter than the Samsung Galaxy Z Fold 7 or the Z Fold 8 Ultra. This will also probably be a more affordable phone as a result.

For wearables, we’ll probably see the Samsung Galaxy Watch 9 and the Samsung Galaxy Watch Ultra 2, with the latter of those products sounding the most interesting, as it might have a high-capacity 800mAh battery and — for the first time on a Galaxy Watch — support 5G.

Finally, Samsung might also take the opportunity to launch its first smart glasses, which could be called the Samsung Galaxy Glasses. These are reportedly screenless glasses that run Android XR, let you talk to Gemini, and look set to rival the likes of the Ray-Ban Meta glasses.

Filmora is one of the most well-known video editing software in the industry. The company has also done well to embrace AI, adding a whole new range of advanced AI functions that have only made the platform better and more capable over time.

In this review, we've put Filmora to the test, trying out its top features hands-on to see if they live up to expectations. We also dive deeper into its other offerings, value for money, and in-use experience, as well as compare it to the best AI video editors to help you find out if it's the right choice for you.

Much like other AI editing and content generation tools, Filmora also offers a free-forever plan, allowing you to edit videos along with access to a limited amount of creative assets such as effects, filters, transitions, music, and sound effects.

However, unlike Kapwing, Adobe Firefly, or Fliki, Filmora's free plan does not include any AI credits. This means you won't be able to generate AI videos or images for free with Filmora, which is a bit of a letdown considering the competitive landscape.

Filmora's paid plans start at $4.17 per month. The Basic plan is not much different from the free plan, except that you get 500 uses of its proprietary AI Mate, along with 1GB of cloud storage. Besides this, everything else remains pretty similar to the free plan.

You also have the option to add the Filmora Creative Assets add-on to the Basic plan for $19.99 per month. However, you do get a 14-day trial of the Creative Assets package.

There's also an option to purchase the Basic plan with a one-time perpetual license for $79.99. However, you will not receive future updates and will need to pay an additional upgrade fee to access newer versions.

You can check out Filmora by clicking here.

Next up is the Advanced plan at $5 per month, which comes with 1,000 AI credits. This is the first plan where you can create AI videos and short clips, and use AI tools like Text to Object, Text to Speech, AI Music, AI Images, AI Copywriting, and more. You also get 10GB of cloud storage, along with limited access to Creative Assets.

Compared to the likes of Veed, which costs $12 per user per month, or Kapwing, which costs $16 per user per month, Filmora's Advanced plan is one of the most affordable options available for AI content generation. Just like the Basic plan, you can also add the Filmora Creative Assets pack for $19.99 per month.

However, the Premium plan, which costs $8.33 per month, already includes the Creative Assets package and is, in our opinion, one of the best value-for-money plans you can get. You receive 2,000 AI credits per month, along with 100GB of cloud storage. The Creative Assets package also includes over 12,000 effects and filters, more than 7,000 transitions, and access to 1.5 million stock media assets.

Also, all the prices mentioned above are for the Windows version, with Mac pricing being slightly higher. For instance, the Basic plan on Mac costs $5.83 per month, with a perpetual license priced at $99.99, whereas the Advanced plan costs $6.67 per month and the Premium plan costs $10 per month.

Even though they are a tad pricier than the Windows version, they're still pretty affordable compared to other similar video editing and AI generation tools.

The best thing about Filmora is that it keeps adding new features. With the release of version 15, the platform has added a new repertoire of both AI and video editing features. For instance, there's the new AI Video Extender, which helps you expand your footage forward or backward with the help of a prompt.

This may come in handy when your footage is too short and you need a bit more footage for smooth intros and outros. Using it is also pretty simple. You just need to drag its Smart Pen onto the editing dashboard and add a prompt describing how the video should continue.

In the same vein, Filmora has also introduced Prompt Video Editing, which allows you to add, replace, or remove objects in your videos using simple text prompts instead of having to do it manually on the editing dashboard.

Another impressive new feature is Animated Charts, which lets you import CSV or Excel files and generate chart and graph animations to build dynamic line, area, and pie charts. This comes in handy for commercial teams that want to prepare engaging presentations with animated visualizations.

The platform has also recently introduced advanced pixel tracking and motion compensation algorithms for its built-in video stabilization. This helps repair shaky video footage, making it more stable.

Similarly, there's also a Lens Correction option, which helps you remove optical distortions caused by camera lenses. This includes barrel or fisheye distortion, pincushion distortion, vignetting, and perspective or keystone distortion.

This comes in handy while editing wide-angle or action camera footage, where the fisheye bulge is distracting, or architecture and interior shots, where you want walls and buildings to look straight instead of curved.

Furthermore, Filmora now has advanced planar tracking, which can follow an entire flat surface across a moving video and lets you add images, videos, text, logos, mosaics, or anything else you want to that flat surface, much like inserting an image into a video. For instance, you can attach a logo to a moving truck, billboard, or storefront sign.

Filmora also has one of the largest libraries of creative assets we have seen across similar applications. Although it's a paid add-on, the Creative Assets package unlocks a large pool of premium effects and media.

This includes stock media and original video effects, over 100,000 royalty-free audio tracks, professionally designed title templates, a wide range of basic and professional transitions, aesthetic and cinematic effects and filters, stickers, more than 10,000 ready-made templates, and over 500 AI-powered effects.

Here are some other features you get with Filmora:

• AI text-to-video, audio-to-video, and image-to-video.
• AI Storyboard Generator, allowing you to generate ready-to-use storyboards with editable characters, scenes, and styles.
• An all-new Pen Tool, which lets you draw custom vector paths and shapes directly onto the video frame.
• AI Color Palette for cinematic color editing.
• Text animation with immersive and dynamic effects.
• An automated AI-powered subtitle generator, along with more than 100 animated subtitle templates.
• AI voice cloning in 16 languages.

The Filmora dashboard can seem a bit overwhelming at first, especially if you are a beginner. The editing panel is divided into three panes: one for adding edits and elements such as audio, titles, transitions, and effects; one for viewing your image or video as you edit it; and a horizontal editing bar at the bottom, which lets you drag and drop various editing elements into your project.

At the top of your dashboard, you'll see various options such as Media, Filters, Transitions, Effects, and Templates. Simply click on any of them to open all the available options and drag and drop the ones you want onto the horizontal bar at the bottom.

Once you click on the panel where your video is being previewed, a host of other options opens on the right-hand toolbar, where you can adjust various video settings such as width, height, rotation, and flip.

As you scroll down, you'll find various AI functions such as motion tracking, planar tracking, motion blur, and stabilization. What we liked most is that you simply have to toggle the buttons to activate the features and drag elements onto your video to apply the edits. There are no complex steps involved.

In addition to video, you'll also find other advanced editing options such as speed, animation, color grading, and AI palettes on the same right-hand panel.

To be fair, it can take a bit of time for new users to get the hang of the platform. That said, Filmora is one of the most rewarding platforms once you get past that learning curve thanks to the sheer number of editing options available.

Since Filmora doesn't allow you to create AI content on its free plan, we couldn't test the platform's AI capabilities. However, we did put Filmora's editing functions through a thorough test.

We first downloaded the application on our Windows 11 PC, which took around a minute or two. Once set up, we imported stock media to edit. We clicked on Effects and added an RGB Stroke effect to our video of a man skateboarding. Filmora was able to identify and track the person in the video and apply the RGB Stroke effect pretty accurately.

Adding the effect was also pretty easy. We only had to select and drag the effect onto the horizontal bar. We then added a dissolving transition to the beginning of our video. Again, a simple drag-and-drop did the trick.

We then played around with various video and audio editing settings, and all of them were applied to our video almost instantaneously. There was no lag or buffering while editing even the most complex or longest videos.

Filmora focuses heavily on video editing features, offering several advanced options for professional editors. But there are a few alternatives you can consider.

If you're looking for free AI video and image generation, you can consider tools like Kapwing or Fliki. Both allow you to create AI videos and images for free.

Kapwing does a good job when it comes to generating AI characters, from simple everyday characters like a baby or a cheerleader to fantasy characters like a dragon or a cyborg. There are plenty of options.

Fliki, meanwhile, gives you many pre-video generation options to choose from. For instance, you can customize your video format, template, AI avatar, voiceover, and captions before generating a video, which saves a lot of editing work afterward.

However, Kapwing's highest-tier plan can be pretty expensive, costing $50 per user per month, whereas Fliki can go up to $44 per month. Even Filmora's most advanced plan costs only $8.33 per month, making it far more affordable. Plus, both platforms lack advanced editing options such as planar tracking and video stabilization.

Filmora is one of the most feature-packed AI content generation and editing tools on the market. Apart from basic features like image-to-video, script-to-video, and audio generation, you get advanced editing options such as planar tracking, storyboard generators, video stabilization, AI video and audio extenders, dual-monitor editing, animated charts, and lens correction.

Additionally, Filmora houses one of the most extensive libraries of stock assets, including licensed music, effects, transitions, stickers, and more than 10,000 templates.

That said, its interface is not among the simplest we have seen and requires a bit of a learning curve. Also, its free plan does not allow you to create any AI content, which was a bit of a disappointment. If this is a deal-breaker for you, you can consider other options like Adobe Firefly or Kapwing.

We've tested a range of video makers and editors, including the best video editing software, the best video editing apps and the best free video editing software.

• Samsung announces new OLED panels for laptops, capable of '1,600 nits' in peak brightness
• The new tandem OLED panels have a 40% higher brightness requirement than older single-layer OLED panels
• The new panels will be used in MSI, Lenovo, Asus, and Dell laptops that have the latest DisplayHDR True Black 1400 certification

OLED panels are continuously improving year after year, as seen in recent tandem OLED displays from Samsung – and fortunately, the tech giant isn't resting on its laurels.

As reported by TweakTown, Samsung has introduced new tandem OLED panels for Lenovo, Asus, MSI, and Dell laptops, with claims of up to 1,600-nit peak brightness in small windows. This will apply to laptops that have the latest DisplayHDR True Black 1400 certification.

Notably, the push up to 1,400 nits certification is a '40% higher' brightness requirement compared to older single-layer OLED panels, which is ideal for bright rooms and environments.

This is thanks to the presence of tandem OLED panels, which work by stacking at least one or more OLED layers together, providing significantly increased brightness levels and efficiency.

Samsung notes it has started a 'full-scale' supply of the new tandem OLED panels for laptops, starting with the Lenovo Yoga Pro 9i Aura Edition, and later for laptops from Asus, MSI, and Dell.

The boost to 1,600 nits is a significant enhancement for gaming and movie-watching experiences on these laptops. While the Lenovo Yoga Pro 9i Aura is certainly more of a premium laptop for creators, it's also capable of gaming using Nvidia's RTX 5000 series laptop GPUs.

With that in mind, issues with auto brightness limitations (ABL) that would often spoil bright gaming or movie scenarios should now be further diminished, as tandem OLED helps tackle those drawbacks.

Samsung hasn't mentioned any plans for its new panels being used for standalone OLED monitors just yet, but naturally, this should be the next step once these new laptops launch. For now, there are plenty of OLED gaming monitors (i.e., LG UltraGear OLED 27GX700A) capable of higher nits available on the market.

• Garmin Cirqa smart band has finally dropped
• The screen-free smart band costs $199.99 / £179.99 / AU$299.99
• I tested its accuracy and found it to be very good

It’s here! After months of leaks, the Garmin Cirqa smart band (styled ‘CIRQA’ by Garmin) has finally arrived. I got a chance to check it out — and wear it for a workout — at the official launch event. A sleek-looking fabric smart band in four colors (French Grey, Black, Captain Blue and Mauve) wrapped around a plastic puck, there’s no denying it looks a lot like a Whoop, Polar Loop or a thicker version of the Google Fitbit Air.

The puck packs an Elevate V4 heart rate sensor, the same one used on some of the best Garmin watches. The more powerful Elevate V5 was apparently too big for the size of the unit, according to Garmin.

The tracker offers some of Garmin’s best features including Health Status (Garmin's feature that monitors your vitals overnight), Body Battery, Training Readiness, pulse ox, women’s health tracking, and stress tracking and lots more. The Garmin Cirqa has a 10-day battery life, and the same proprietary charging port as the brand's watches. As expected, there's no onboard GPS, but it can piggyback off your phone's GPS.

Size-wise, it's slimmer than the Whoop MG but thicker than the Fitbit Air.

Many other screenless trackers have no buttons at all, but here Garmin has stuck with its tradition of creating smartwatches with tactile buttons, and added a button to the plastic chassis.

You can press this button to start and stop a workout, but you can also rely on automatic activity tracking for this. Garmin states this will improve the longer you wear the band, and it's also possible to edit workouts in the Connect app to ensure the right movements are correctly interpreted. For example, if you run a lot, the Garmin Cirqa will interpret the swinging of your arms and acceleration as a running workout and start one automatically.

The band is subscription-free at its base price. Many screen-free trackers from the likes of Whoop and Oura rely entirely on subscriptions, but there is an element of monthly payment creeping in there. You can access Garmin Coach to get personalized training plans, but only if you subscribe to Garmin’s premium Garmin Connect+ tier.

This is the first time Garmin Coach has been locked behind the Garmin Connect+ paywall — previously, it either came with a watch or it didn’t.

Chrissy Wheeler, Garmin’s EMEA Senior Product Manager for Fitness, was at the launch and spoke about the Cirqa. She said: “You do have the option for premium content under Garmin Connect+. There are additional features, if you want to, you can pay for those, like all of our coaching side of things with this device. For some of our higher-end devices, these come included, but because this doesn’t have a screen, you need Garmin Connect+ to access the coaching size, our nutrition app… as well as Active Intelligence and AI insights.

“The key thing is that disconnect. People wanting to disconnect from phones, electronics on a day-to-day basis, but still want those metrics. It’s ideal, firstly, for people getting into fitness for the first time, but also for a lot of our athletes. Cycling, for example. They might record all their workouts on an Edge [Garmin cycling computer], but they’re missing out on that 24/7 recovery information, Body Battery, that goes alongside it.”

After the product presentation, we were taken through a short HIIT workout by a trainer at the venue, for which I opted to wear the Polar H10 heart rate monitor. The Polar H10 is an electrical heart rate monitor worn on the chest, rather than an LED-based heart rate monitor worn on the wrist like the Cirqa.

It’s the gold standard for heart rate accuracy, used by many athletes all across the world. As fitness trackers use heart rate as the basis for almost all their metrics, it’s the perfect device to use as an accuracy benchmark.

During my workout, the Polar H10 recorded an average heart rate of 155 beats per minute, or bpm. The Garmin Cirqa recorded an average heart rate of 153 bpm, just 2bpm shy of the other device and well within the statistical margin for error. Graphs also aligned very closely.

Based on this first early test, I’m satisfied with the Garmin’s accuracy, but of course more testing will be required. Stay tuned.